a treasured gift

What’s this? A handknitted hoose? With flowers in the garden . . . . . . and a wee gate . . . . . leading to a horse-shoe adorned front door . . . . . . there are flowers in the windows too . . . . . . shrubs round the side… Read More

Great Tapestry of Scotland 124-160

Panel 140: Cumbernauld Well, this is my final post on the Great Tapestry of Scotland! I have really enjoyed revisiting my photographs, and thinking more about the tapestry, and your comments have also provided much food for thought. These photographs are, of course only snippets, and you’ll find much more thorough information in the two… Read More

Great Tapestry of Scotland 93-123

Panel 94: Hill and Adamson The silver herrings and striped petticoats of the Newhaven fisherwoman. In the comments on yesterday’s post, Heather linked to an interesting take on the “when is a tapestry not a tapestry” question from a tapestry weaver who strongly objects to the misappropriation of the term in reference to non-woven textiles.… Read More

Great Tapestry of Scotland 60 – 92

There have been some interesting questions in the comments on my previous posts about the Great Scottish Tapestry. Elaine and Deborah asked what materials had been used in the creation of the tapestry – well, the stitchers used Peter Grieg linen and Appletons crewel wool throughout. Terry asked why it was called a tapestry at… Read More

Great Tapestry of Scotland 24-59

Some more details of the Great Tapestry of Scotland for you this morning. You’ll find the first post in the series here. Panel 25: Duns Scotus. The feet of Duns Scotus, the medieval philosopher for whom we have to thank for the concept of Haecceity Panel 26: Somerled, first Lord of the Isles A beautiful… Read More

Great Tapestry of Scotland 1-23

On Sunday I finally got to see the Great Tapestry of Scotland. I was completely blown away by the vision of Alistair Moffat (who produced the tapestry’s historical content and context), Andrew Crummy (the superb artist who designed these 160 panels) and perhaps especially by the skill and beauty of the work of the thousand… Read More

finishing a steek

I have recently been designing and knitting a thing with steeks, which required finishing. This project is part of an exciting collaboration, and I’ll be able to tell you (and show you) more about it in a couple of weeks. When working on the steeks, it occurred to me how many different ways there are… Read More

my handmade childhood

Various things have been prompting me to think a lot recently about the role that sewing and knitting and other handmade things can play in the shape of ones life. Like many crafty folk in the UK, I enjoyed watching the Great British Sewing Bee. Unlike so many of these competitive TV formats, this programme… Read More

Modern Embroidery

A few weeks ago, I discovered a craft / design book that really blew me away. This hasn’t happened for a while, and I love this book so much that I’ve been itching to mention it. Here’s how I came across it: back in April, I decided I would design a tea cosy for Woolfest.… Read More

another feature

The new Rowan Magazine has just come out, and I have a feature in it, exploring the history of mending, darning, and ‘plain work’. I really enjoyed researching and writing this piece, and working on it became quite important to me during some difficult times over the Summer. In many respects, it is a very… Read More

Buttons of Dreams

Several of you left comments or sent me messages regarding my button dilemma (for which many thanks). But the biggest thanks must go to Jayne, who told me about the amazing buttons of Lionel Nichols. (Warning! Prepare yourselves! The link takes you directly to button heaven!) Sixty years ago, Nichols fashioned beautiful glass buttons by… Read More