thankyou, KCG

A few weeks ago, I visited the home of the UK Knitting and Crochet Guild – a fantastic organisation that exists to support and promote the crafts of knitting and crochet. The KCG is supported entirely by charitable donation, and is staffed by a group of wonderful volunteers, who administer a growing international membership; organise… Read More

Journal des Dames et des Modes

Over the past few months, while working on the project that has now become The Book of Haps, I’ve examined countless images of wrappable textiles. I’ve encountered many ways to wear such textiles, and also reflected on the many different contexts for their wearing. Some of these groups of images were very useful for me,… Read More

In the steps of Jane Gaugain

Wow, everyone! Thankyou so very much for your comments and emails in response to my last post. I’ve been really overwhelmed (and very moved) to read the diverse experiences of so many people who have knit that pattern, or had it knitted for them. Reading all your messages reminds me just how much I love… Read More

Miss Rachel’s yoke and gauntlets (a closer look!)

As discussed in the previous post, this design is inspired by an early nineteenth-century shawl, collected by Rachel Kay Shuttleworth, and now part of Gawthorpe Textile Collection. The colourful, ribbon-like bands of the shawl immediately reminded me of one of my favourite colourwork motifs, a small, simple pattern which resembles an interlocking vine. The pattern… Read More

Inspired by Gawthorpe

You may remember that, a couple of years ago, I was involved with a project to create a design inspired by the wonderful textile collections at Gawthorpe Hall. I designed the Richard the Roundhead tam, inspired by a crewel-work coverlet that Rachel Kay Shuttleworth had embroidered over several decades, in memory of her parliamentarian ancestor,… Read More

in which I discover Scottish Madras

The other day Brenda, my lovely neighbour, appeared with a piece of paper in her hand, a gift for me. When I unfolded it, the piece of paper turned out to be a rather interesting and very beautiful hand-painted floral design, which I could immediately tell was some sort of pattern repeat. But what sort… Read More

Lopi & Band interview

Today I want to share with you a conversation I recently had with Margret Linda Gunnlaugsdóttir and Ásdís Birgisdóttir – two of Iceland’s most important and influential designers of hand-knits. I knew of Ásdís and Linda’s work with the 1990s Icelandic magazine Lopi & Band, and was fascinated with their designs, which seemed really distinctive… Read More

Cockatoo Brae

Yes, you did read that correctly — Cockatoo Brae. This remarkable phrase is, in fact, the name of a lane in Lerwick, Shetland, and it is also the name of the final yoke in my collection. This design emerged from an exciting collaboration with my friend Ella. In Shetland, machine and hand knitting go very… Read More

A day at Sanquhar

Have you been to Sanquhar? I am ashamed to say that I hadn’t — until Saturday. Sanquhar Knitting Workshop was part of Glasgow University’s Knitting in the Round project and was held at A’ the Airts, a lovely community arts centre at the heart of Sanquhar. At the workshop May MacCormick, who has knitted literally… Read More

knitwear and cultural relativism

One of the issues I’ve found myself thinking about an awful lot while writing my book is how knitwear “traditions” are never completely national or regional in origin, but are always interwoven and interconnected. Knitting is a fluid and mobile medium in so many senses, traveling around the ocean on the backs of seafaring men,… Read More

Great Tapestry of Scotland 124-160

Panel 140: Cumbernauld Well, this is my final post on the Great Tapestry of Scotland! I have really enjoyed revisiting my photographs, and thinking more about the tapestry, and your comments have also provided much food for thought. These photographs are, of course only snippets, and you’ll find much more thorough information in the two… Read More