Great Tapestry of Scotland 124-160

Panel 140: Cumbernauld Well, this is my final post on the Great Tapestry of Scotland! I have really enjoyed revisiting my photographs, and thinking more about the tapestry, and your comments have also provided much food for thought. These photographs are, of course only snippets, and you’ll find much more thorough information in the two… Read More

Great Tapestry of Scotland 93-123

Panel 94: Hill and Adamson The silver herrings and striped petticoats of the Newhaven fisherwoman. In the comments on yesterday’s post, Heather linked to an interesting take on the “when is a tapestry not a tapestry” question from a tapestry weaver who strongly objects to the misappropriation of the term in reference to non-woven textiles.… Read More

Great Tapestry of Scotland 24-59

Some more details of the Great Tapestry of Scotland for you this morning. You’ll find the first post in the series here. Panel 25: Duns Scotus. The feet of Duns Scotus, the medieval philosopher for whom we have to thank for the concept of Haecceity Panel 26: Somerled, first Lord of the Isles A beautiful… Read More

Great Tapestry of Scotland 1-23

On Sunday I finally got to see the Great Tapestry of Scotland. I was completely blown away by the vision of Alistair Moffat (who produced the tapestry’s historical content and context), Andrew Crummy (the superb artist who designed these 160 panels) and perhaps especially by the skill and beauty of the work of the thousand… Read More

a kiss from France

I so enjoyed your translations and comments on this post, that I thought I’d continue the First World War theme with some of my favourite items in my postcard collection. Known to collectors generically as “silks”, these machine-embroidered cards first appeared around 1900, and were produced in vast quantities during the twentieth century’s first two… Read More

Modern Embroidery

A few weeks ago, I discovered a craft / design book that really blew me away. This hasn’t happened for a while, and I love this book so much that I’ve been itching to mention it. Here’s how I came across it: back in April, I decided I would design a tea cosy for Woolfest.… Read More

stitched up

Though I love the Gainsborough films, Tony Richardson’s Tom Jones and Michael Winterbottom’s A Cock and Bull Story, I am not generally a fan of contemporary cinematic takes on eighteenth- and nineteenth century literature. This is probably because of what I do: a generation of students who have grown up with the unshakeable idea that… Read More