colour wheels and shade cards

Exciting news today, as we have just heard from our Glasgow printer that Colour at Work is about to be published! Pre-orders will close this weekend, so if you would like a copy of our brand new title with FREE shipping (to anywhere in the world) please place your order now, and your book will ship next week.

Parson’s Spectrum Color Chart from The Principles of Advertising Arrangement (1912)

I’ve researched and written a few new essays for the book, including an (ahem) rather lavishly illustrated piece about the history and representation of that most persuasive of chromatic objects – the colour wheel.

Early colour wheels, attributed to Claude Boutet (1708)

Why are ideas about colour so often presented to us in this familiar circular form?

Chromatic circle of hues (after Michel Chevreul) (1838)

Just what is it about a colour wheel that makes it so very appealing to the eye?

Scale of complementary colours (1892)

How, at different historic moments, have colour wheels been used to organise different kinds of knowledge?

Ignaz Schiffermuller, Versuch eines Farbensystems (1772)

Which ideas, which ideologies, might colour wheels be trying to sell to us?

Food group colour wheel, offering nutritional advice from the U.S dept of agriculture (1943)

How, through time, have colour wheels attempted to contain and classify the world’s confusing chromatic variety?

Scale of normal colors and their hues (1895)

Read Colour at Work to discover many more colour wheels and find out more about them!

our about-to-be-published chromatic box of delights includes a chapter all about colour wheels!

This chapter was a genuine pleasure for me to research and write because I really love colour wheels, and I wanted to think about exactly why that might be. I spent about a month looking at, reading about, and dreaming of colour wheels and all I can say is that doing this research, and knowing more about the history and purpose of these fascinating objects has only intensified their aesthetic pleasure for me.

Don’t all knitters love colour wheels, samplers and shade cards? I haven’t yet met one who doesn’t! And if you too are a shade card fan, then I just have to mention this brand new book in which I suspect you may be interested.

Recently translated and now available in a new English edition, Anne Varichon’s book is a gorgeous exploration of the histories and purposes of shade cards of all kinds, from the early modern period to today.

Over 284 pages and 355 beautifully illustrated examples, Varichon explores how colour samples and shade cards have been used to classify and sell paints and pigments, yarns and fabrics, feathers and haberdashery trims, cosmetics, inks, dyes – and even different types of veal.

The 1978 veal colour chart on the right “responded to the Confédération de la Viande’s need [for] a tool to identify veal that had been milk-fed, fed milk and grass, or fed only grass”

The illustrations are glorious, of course, but Varichon’s carefully researched and lyrically written text is a great read too, exploring the many different ways in which, over the centuries, shade cards continue to “evoke wonder” and posess a unique “aesthetic power and ability to appeal to the imagination.” There’s even an Angela Merkel shade card.

Highly recommended for shade card obsessives of all kinds, Varichon’s book has just been published with Princeton University Press, and don’t forget that Colour at Work is about to be published by . . . .us! ( free shipping closes this weekend!)

Thank you all so much for your kind wishes about the mill. We are enjoying everything about it. I promise to show you the interior, in time!


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