Helen Robertson

If you’ve read my introduction to The Book of Haps then you’ll already have come across Helen Robertson – a Shetland artist and craftswoman whose work I deeply admire. Working with silver wire and other precious materials, Helen has developed a uniquely thoughtful aesthetic which celebrates, commemorates and reflects upon Shetland’s history and heritage –… Read More

Inversnaid

We have been out walking along the West Highland Way near Inversnaid today, and I was put in mind of this landscape’s many famous visitors. Because of its fine views and beautiful surroundings, this was a spot much beloved of the Victorians, and particularly of literary travellers to Scotland. William Wordsworth wrote “to a Highland… Read More

designing & publishing: part 3

From Folly Cove by Julia Farwell Clay and Celtic Cable Shawls by Lucy Hague Today I’m looking at another couple of recently-published books, from two very different independent designers, who both took completely different routes to publication. What these two books share, however, is an intelligent engagement with two specific aesthetic contexts, as both were… Read More

Delaunay retrospective

You all know of my Sonia Delaunay obsession, and I was extremely excited to attend the opening of the retrospective of her work at Tate Modern last week. Box, (1913) Delaunay crossed disciplinary boundaries effortlessly, and it was wonderful to see her ease in various aesthetic / commercial contexts properly represented. Delaunay did not impose… Read More

Sonia Delaunay: the dress of the future

Sonia Delaunay Rythme (1938) I don’t know about you, but I am extremely excited about Tate Modern’s Sonia Delaunay retrospective, which opens in a couple of months. I’ve long had a thing for Delaunay’s work, but have never had the opportunity to see much of her work in person, particularly her textiles. I wrote an… Read More

Great Tapestry of Scotland 124-160

Panel 140: Cumbernauld Well, this is my final post on the Great Tapestry of Scotland! I have really enjoyed revisiting my photographs, and thinking more about the tapestry, and your comments have also provided much food for thought. These photographs are, of course only snippets, and you’ll find much more thorough information in the two… Read More

Great Tapestry of Scotland 93-123

Panel 94: Hill and Adamson The silver herrings and striped petticoats of the Newhaven fisherwoman. In the comments on yesterday’s post, Heather linked to an interesting take on the “when is a tapestry not a tapestry” question from a tapestry weaver who strongly objects to the misappropriation of the term in reference to non-woven textiles.… Read More

Great Tapestry of Scotland 1-23

On Sunday I finally got to see the Great Tapestry of Scotland. I was completely blown away by the vision of Alistair Moffat (who produced the tapestry’s historical content and context), Andrew Crummy (the superb artist who designed these 160 panels) and perhaps especially by the skill and beauty of the work of the thousand… Read More

The Kelpies

My parents have been visiting, and I thought they might like to see The Kelpies. A few years ago we rather enjoyed visiting Jaume Plensa’s Dream, a meditative and beautiful public sculpture commemorating Lancashire’s mining past. Like Plensa’s Dream, The Kelpies celebrate industrial heritage, but are things of water rather than of light. Kelpies are… Read More

Goodbye, Dolly

I often receive requests for copies of features and articles I’ve published. Hard copies of individual magazines can be hard to find, and many publishers don’t make back issues readily available in digital formats. So, in the spirit of open access, I’ve decided to “reprint” some of these pieces here, where everyone can find them.… Read More

on the move

Sonia Delaunay, Driving Caps, Silk and Wool, 1924-28. Included in the Cooper-Hewitt Color Moves exhibition, 2011. I am taking a break from my collection today, and researching a feature which somehow keeps bringing me back to the work of Sonia Delaunay. I came across these amazing wool and silk ‘driving caps’ that she designed, and… Read More

A grand day

(combed tops and yarn in the sample room. Wool heaven.) Yesterday I had a grand day out. Martin and Janet Curtis kindly invited me to the opening of the new showroom at Haworth Scouring, the world’s largest commission scouring company, and an important hub of the British wool industry. The opening showcased many different elements… Read More