Selecting shades: Maylin, Claire, Kate C

In today’s post, I’ll introduce you to the three very different colourways that my KDD friends selected for their Tonnach cardigans. Please do bear in mind that, due to the unfortunate Hirst shortage I mentioned yesterday, that the Maylin and Claire kits are currently out of stock in the KDD shop, but we do have plenty of stock of individual balls of all of the other shades of Milarrochy Tweed used in these two colourways, so that you can make up your own kit, with substitutions. The gorgeous Kate C colourway does not feature Hirst and is kitted up in the shop, if this palette grabs your fancy.

First up, here’s Maylin, in an appropriate woodland setting.

A person standing in a woodland area, wearing a knitted cardigan with green and brown patterns, paired with a green shirt and denim capris, surrounded by tall trees.

She says:

“My starting point for the colours was to think of the most summery shade in the palette. For me, that is always Stockiemuir, which is one of the most versatile of Milarrochy Tweed colours . . . “

A ball of green yarn with flecks of yellow and blue, resting on a textured white surface.
Stockiemuir

 “From there, it had to be a brown as that’s my favourite neutral and Horseback Brown pairs so well with Stockiemuir. . . . “

A round ball of brown yarn with colorful flecks, sitting on a light background.
Horseback Brown

“And then I wanted Hirst as the main colour as most of my cardigans are dark. . . “

A close-up of a light beige ball of yarn on a textured surface.

“Those three colours immediately suggested a forest and as I hate the heat, I thought a woodsy palette would work nicely, so I experimented with the greens and browns until Gaskin and Chingly won out.”

A pile of green yarn balls resting on a round wooden slice, showcasing a natural and earthy aesthetic.
Gaskin
A stack of yarn balls in earthy green tones, placed on a wooden slice, set against a dark background.
Chingly

“I love the finished palette. . . . “

Close-up of a hand-knit cardigan featuring a zigzag pattern in shades of green, brown, and cream, worn by a person against a woodland backdrop.

“. . . and I absolutely love my Tonnach!”

A person wearing a knitted cardigan with a zigzag pattern in green and brown, standing in a woodland setting with trees in the background.

“Most of my clothes are plain neutrals and I hang around in jeans most of the time, so this works so well just over a plain white t-shirt or one of the many brown skirts I own.”

A woman with gray hair is standing in a woodland setting, wearing a multicolored knitted sweater featuring a zigzag pattern in shades of green and beige.


Maylin’s different approach to the shade B “pop”- toning things with Chingly’s quieter hue – has made her other shades sing just a little more. I particularly like the way that Horseback Brown plays such a key role in her palette.

A woman with gray hair walks along a forest path, wearing a patterned cardigan in shades of green and beige, surrounded by tall trees and lush greenery.

Next up, here’s Claire:

A woman smiles while wearing a colorful knitted cardigan with a zigzag pattern, standing in a garden with flowers and shrubs.

 Claire says: “I am really drawn to blue shades, and Outsea is just about my favourite colour of Milarrochy Tweed.”

A close-up view of multiple skeins of blue yarn arranged neatly on a wooden plate.
Outsea

“Although I often combine my blues with colours on the orange/red spectrum, I did worry about the real ‘pop’ of Asphodel amongst the more subtle colours. . . “

A textured ball of orange yarn with colorful flecks, resting on a wooden surface.
Asphodel

” Foxglove would have a similar effect. . . .”

Close-up of a pink yarn ball with colorful flecks, showcasing its texture and twist.

“When I was swatching my palette, I had to move the shades around a few times, as I found that the contrast between Eyebright and Outsea when knitted next to each other was just not sufficient.”

A person with short grey hair is wearing a knitted cardigan with a zigzag pattern in shades of blue, orange, and teal. The image captures the back view of the cardigan while surrounded by potted plants and a residential setting.


“. . . I resolved this issue by adding in a slightly darker blue shade – Ardlui”

A close-up image of a ball of yarn in a teal color with flecks of various colors, resting on a light wooden surface.
Ardlui

“I knew that I needed a lighter colour in there, but kept Hirst to a minimum as it’s a colour that doesn’t suit me on its own. I have quite a few clothes in my wardrobe in the teal, blue, and rust range, so this cardigan really works for me – good with denim too!”

A person smiling while wearing a knitted cardigan with a zigzag pattern in shades of blue, orange, and cream, standing in a garden setting with flowers and a residential backdrop.

I love the breezy, summery feel of Claire’s Tonnach and it may interest you to know that three of the shades in her palette (Hirst, Eyebright, and Ardlui) are exactly the same as those used in my colourway – and yet – our cardigans look completely different. Outsea is such a brilliant framing shade and Asphodel brings something so fresh to the show.

Finally, here’s Kate C in her glorious Tonnach – a satisfyingly Hirst-free zone!

A woman wearing a colorful, patterned cardigan with shades of pink, orange, and gray, standing in front of a gray background.

She says: “I wasn’t sure what colours to choose for my Tonnach so when Kate asked me to knit up some swatches I took that opportunity to mix up my usual colour selections and go for something different.”

A person standing with their back to the camera, wearing a brightly colored knitted cardigan featuring a zigzag pattern in shades of pink, orange, and gray, against a backdrop of vertical black lines.

“I like Cranachan but being more of a blue person it was never high up my list of favourites. . . “

A close-up of a ball of vibrant pink yarn with a textured surface, resting on a light wooden background.
Cranachan

“But that all changed when I paired it with Birkin. The grey made the pink glow and I knew that I had to explore that colour combo further. “

A close-up of a ball of light-colored yarn with a textured and slightly fuzzy surface, shown against a blurred background.
Birkin

“There are so many great Milarrochy Tweed colours that could compliment my new Birkin/Cranachan combo — I almost included some greens to create the perfect Scottish summer berry picking cardigan — but something (maybe the fine weather we had at the time or maybe my spring/summer soundtrack of Funkadelic) pushed me towards Asphodel and Foxglove. . . “

A close-up of a ball of orange yarn with colorful flecks, showcasing its texture and vibrant color.
Asphodel
Cover art for the album 'One Nation Under a Groove' by Funkadelic, featuring colorful, cartoon-like characters, flags, and a vibrant design.
KC getting down, just for the funk of it
A close-up image of a vibrant pink yarn ball with colorful flecks, resting on a wooden surface.
Foxglove

. . . I really like the 70’s feel my combination makes while still keeping it fresh and modern”

A woman in profile wearing a colorful knitted cardigan with a zigzag pattern in vibrant shades of pink, orange, and gray, standing against a black backdrop.

“I love the fit which is great with jeans and dresses – my Tonnach is the perfect summer layer in my wardrobe!””

A woman wearing a vibrant pink and orange cardigan with a zigzag pattern, adjusting the buttons while showing a casual blue t-shirt underneath.

I completely agree, KC, and love this hot funk-fuelled combination!

Close-up view of a colorful cardigan featuring orange, pink, and gray zigzag patterns, showcasing intricate knitting details.

I should point out that KC’s cardigan uses four shades, rather than the five which feature in Claire’s and Maylin’s colourways, as well as mine. KC’s use of three, tonally proximate, hot colours – Cranachan, Asphodel and Foxglove – against the backdrop of Birkin’s much cooler neutral has created a garment with an allover gradient which, when knitted up in Tonnach’s undulating zigzags, really does shimmer.

A person standing with their back to the camera, wearing a colorful knitted cardigan featuring a zigzag pattern in shades of pink, orange, and gray.

If you’d like to knit Claire or Maylin’s colourway, or experiment with an innovative four-shade palette, just like KC, the Tonnach pattern includes separate charts and yarn quantities for all the cardigans illustrated here, as well as the one I’m wearing.

A woman in a colorful Tonnach cardigan walking along a beach, wearing a red headband and looking toward the horizon.

And just to reiterate, we have sadly sold out of our Hirst shade, but you can easily build your own palette with individual balls of Milarrochy Tweed or any other yarn of your choice that knits to gauge. And, in my final shade-selector post tomorrow, I’ll introduce you to several different Hirst-free palettes which I hope you’ll find inspiring.

A colorful graphic featuring zigzag patterns in various shades, including teal, red, and brown, with the words 'Summer KAL KDD & Co' prominently displayed in white.

There’s further inspiration in the KDD Ravelry group, where more gorgeous Tonnach swatches are appearing every day. Do pop over and take a look!

Happy shade selecting!


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