Tag: textiles

  • woolly thinking: part 2

    (Mid- eighteenth-century glazed Norwich worsted wools: Bruxelles, Belles Illes, Martiniques, Blondines.) As we’ve seen throughout WOVEMBER, the way that textiles are named and sold can be misleading and difficult to understand. In a rush to make a chemical innovations integral to a brand, or to lay corporate claim to a particular spinning or weaving process,…

  • Woolly thinking: part 1

    Wool snood at French Connection containing 0% wool and 100% Acrylic. We’ve had some WOVEMBER feedback suggesting that we are being overly dogmatic in our insistence that the word wool should pertain to sheep’s wool only. These comments are useful to read, and very interesting since they suggest how wide the application and understanding of…

  • stitched up

    Though I love the Gainsborough films, Tony Richardson’s Tom Jones and Michael Winterbottom’s A Cock and Bull Story, I am not generally a fan of contemporary cinematic takes on eighteenth- and nineteenth century literature. This is probably because of what I do: a generation of students who have grown up with the unshakeable idea that…

  • cable

    We interrupt our regular proceedings with this cable. This is just to let readers of The Knitter know that I’ve a piece in the most recent issue of the magazine (no.13) — about the history and future of cable knitting. In the feature, I talk about Gladys Thompson, an old favourite inspiration of mine, and…

  • braid claith

    Since I wrote that piece about the Yorkshire woollen trade for The Knitter a while ago, I’ve had broadcloth on my mind. Broadcloth is a traditionally woollen, and and quintessentially British fabric. As the woven wool trade developed through the Sixteenth- and Seventeenth Centuries, broadcloth, in its several grades, kinds, and colours was popularly produced…

  • tweed frock

    In a couple of weeks time, I shall be going to the US for some work-related events, chief among which is delivering a talk in this public lecture series. I don’t mind admitting that I’m the sort of person who thinks about what they will wear some time in advance of such an occasion. My…

  • at lorna’s

    Mel and I popped over to Lilith‘s for some dyeing and some secret planning (oho! what fun!) Visiting West Kilbride gave me the opportunity to drop in on Lorna Reid again. If you haven’t heard about Lorna, it’s time you did. She’s the inspiring hands and brains behind independent design business, Chookiebirdie. Lorna has a…

  • me news

    Some of you may be interested to know that I’ve a feature in the new Rowan Magazine (no.46), which is out today. The piece is about British industrial textile history, and the past and future of two important mills — Cold Harbour, and New Lanark.* I really enjoyed writing this feature, as I’m sure you…

  • unpicking

    When thinking about process, there is nothing more instructive than unpicking someone else’s stitches. I found a beautiful hand-embroidered cloth on ebay. I have plans for it. The plans involve deconstructing and transforming it into something else. I began by undoing the slip stitches of its heavy, worn cord edging. Then I started to unpick…

  • remember . . .

    These? I had forgotten just how much I liked them until I stitched up another. This one was made for my friend Mel, who I am thinking about today. You will recall that the basic construction of these pincushions is Japanese, but the aesthetic of this one has (to my mind, anyway) somehow morphed toward…

  • out with the old

    You may remember that a year ago I decided to stop buying clothes for the duration of 2008. My decision to do this was sparked by a couple of things. I had been reading a bit about darning and mending and wanted to think about what repairing and caring for one’s clothes meant. Also, since…

  • Henry Moore Textiles

    It has been a very busy week! But one of its real highlights was visiting the newly refurbished Dovecot Studios in Edinburgh with my friend Melanie, and seeing their superb exhibition of Henry Moore’s textiles. Looking at his designs, and the 1940s upholstery and clothing fashioned from them, I got about as excited as I’ve…

  • Cold Harbour Mill

    One of the highlights of my fun weekend with Felix was a trip to Cold Harbour Mill. I am writing at greater length about what a fantastic place it is to visit in a feature I am producing for Rowan (look out for it in 2009, folks!). But there is one point about just why…

  • oomska

    I’ve just returned from an amazing trip to Sussex and Devon with the fabulous Felix. Seriously, how much good stuff can you pack into just one weekend? There was the drinking of the ales . . . . . .the discovery of a unique landscape shaped by beasts and textiles. . . . . .…

  • all change

    Today I put away my summer clothes, and removed the winter ones from storage. I always find it a bit depressing having to encounter the berloody tights again . . . but it is nice to see warm winter dresses, sweaters, and coats. Anyway, before I pack the summer stuff away, I thought I’d show…

  • bordado Madeira

    Madeira has distinctive textile traditions. I had a vague sense of these from my grandma (who taught me to knit), who visited Portugal several times, and who owned several beautiful pieces of Madeiran table-linen. I particularly remember a very fine cloth, decorated with Richlieu-style cut work in pale brown against white. The Madeiran traditions of…