Tag: textiles
-
a coat for falling
Good morning! Are there garments in your wardrobes from which a particular event or association is difficult to shake? I have friends, for example, who after wearing a certain dress at a funeral, have found that putting it on again becomes difficult. I’m a particularly garment-attached person, and there’s perhaps no garment to which I’m…
-
mittens for the absent-minded
When you were a kid, did you wear your mittens and gloves on bands or strings threaded through your coat sleeves to keep them safe? I did, and have very vivid recollections of disliking the practice as I grew older, for seeming childish. My grandma knitted all my gloves and mittens, and if keeping them…
-
Udal
In the spring of 2018, after a hard winter in which I’d been struggling with my depression, I spent some time in Berneray and North Uist. You can get a sense of how much I immediately loved the place, and how very much I enjoyed meeting Meg Rodger and learning more about her work –…
-
Duntreath
I’m so pleased to be able to introduce you to Duntreath! After we successfully launched our lambswool snoods last year, I really wanted to develop a line of garments. Having researched and written a book all about the history of yoke sweaters, I knew I wanted to make yokes, and I also knew who I…
-
making stuff (at Lockies)
One thing you can say about knitting: it really makes you think about the many different processes that producing textiles involve. For example, prior to becoming an obsessive knitter, I had never really considered blocking a woollen garment (with water or with steam) . . . . . . nor had I understood what a…
-
Jenny Jones
Over the years I’ve gathered a small collection of knitting ephemera. This includes a few different styles of the eighteenth- and nineteenth-century sticks, wisps and sheaths (used throughout Britain for supported knitting) and different kinds of representations–largely photographs or prints–of knitting all over Britain. Such representations do not afford some sort of transparent window onto…
-
working hands
I’ve recently been writing about teaching my left hand to work again following my stroke. Because of this, I’ve been thinking very carefully about braiding hair, and knitting socks, about how it felt, and what it meant to re-instruct my hand (whose memory of habitual movement had been completely lost) in those activities. I’ve also…
-
Gudrun Johnston & Mary Jane Mucklestone
One of the best things about working in the field of hand-knit design is that it really is an industry which abounds with good eggs. In my view, two of the very best eggs around are Gudrun Johnston and Mary-Jane Mucklestone: great friends, talented designers, and Shetland enthusiasts. Gudrun spent her early years in Shetland,…
-
GlobalYell / Shetland Tweed Company
Shetland abounds with wonderful creative spaces, but surely one of the most inspiring has to be the charity that Andy Ross has established, nurtured, and developed in Yell. From its beginnings as an organisation focused on music and music teaching, GlobalYell expanded its focus a decade ago to textiles, and to weaving in particular. Over…
-
Helen Robertson
If you’ve read my introduction to The Book of Haps then you’ll already have come across Helen Robertson – a Shetland artist and craftswoman whose work I deeply admire. Working with silver wire and other precious materials, Helen has developed a uniquely thoughtful aesthetic which celebrates, commemorates and reflects upon Shetland’s history and heritage –…
-
Lives in oo
So this is the new project we are working on which has (until today) been very much under wraps! It has been on our minds for some time now for Tom to pursue a project exploring the documentary photography he particularly enjoys. . . and what better subject than a place we dearly love, and…
-
thankyou, KCG
A few weeks ago, I visited the home of the UK Knitting and Crochet Guild – a fantastic organisation that exists to support and promote the crafts of knitting and crochet. The KCG is supported entirely by charitable donation, and is staffed by a group of wonderful volunteers, who administer a growing international membership; organise…
-
at Haworth Scouring
As we have discovered over the past few months, there is an awful lot to think about when designing and manufacturing a new yarn for hand knitting! There are many stages to consider, and many decisions to be made. It occurred to me that one of the processes that’s least visible to hand knitters is…
-
at Scottesque
Hello! Hope you have had a nice weekend! On Saturday Mel and I took a wee trip to Aberdeen, to visit Scottesque. You may remember that I’ve mentioned Scottesque before (in connection with the midi kilt with which I styled my Buchanan yoke). I absolutely love my midi-kilt – I think its handkerchief paneling and…
-
Delaunay retrospective
You all know of my Sonia Delaunay obsession, and I was extremely excited to attend the opening of the retrospective of her work at Tate Modern last week. Box, (1913) Delaunay crossed disciplinary boundaries effortlessly, and it was wonderful to see her ease in various aesthetic / commercial contexts properly represented. Delaunay did not impose…
-
Sonia Delaunay: the dress of the future
Sonia Delaunay Rythme (1938) I don’t know about you, but I am extremely excited about Tate Modern’s Sonia Delaunay retrospective, which opens in a couple of months. I’ve long had a thing for Delaunay’s work, but have never had the opportunity to see much of her work in person, particularly her textiles. I wrote an…