Great Tapestry of Scotland 93-123

Panel 94: Hill and Adamson The silver herrings and striped petticoats of the Newhaven fisherwoman. In the comments on yesterday’s post, Heather linked to an interesting take on the “when is a tapestry not a tapestry” question from a tapestry weaver who strongly objects to the misappropriation of the term in reference to non-woven textiles.… Read More

Great Tapestry of Scotland 24-59

Some more details of the Great Tapestry of Scotland for you this morning. You’ll find the first post in the series here. Panel 25: Duns Scotus. The feet of Duns Scotus, the medieval philosopher for whom we have to thank for the concept of Haecceity Panel 26: Somerled, first Lord of the Isles A beautiful… Read More

Great Tapestry of Scotland 1-23

On Sunday I finally got to see the Great Tapestry of Scotland. I was completely blown away by the vision of Alistair Moffat (who produced the tapestry’s historical content and context), Andrew Crummy (the superb artist who designed these 160 panels) and perhaps especially by the skill and beauty of the work of the thousand… Read More

Goodbye, Dolly

I often receive requests for copies of features and articles I’ve published. Hard copies of individual magazines can be hard to find, and many publishers don’t make back issues readily available in digital formats. So, in the spirit of open access, I’ve decided to “reprint” some of these pieces here, where everyone can find them.… Read More

Gawthorpe – pattern release!

You may remember that, last Autumn, I spent a happy day visiting Gawthorpe Textile Collection with Debbie Bliss, Jane Ellison , Claire Montgomerie, and Emma Varnam We designers had been commissioned to produce designs inspired by items in the collection . . . we worked on them over the Winter . . . and today,… Read More

Swedish inspiration

I have of late been developing an obsession with Swedish textiles, and, it now appears, with all things Swedish. This began at the end of last Summer, when I discovered that several Swedish Etsy sellers had some interesting vintage embroidery on offer . . . . . . I had to limit my exposure to… Read More

Gawthorpe, encore

In between developing kits and other designs, I’ve been working on my Gawthorpe project (which you may remember is a commission to produce a pattern inspired by the wonderful textile collections of Rachel Kay Shuttleworth). The piece on which I’ve decided to base my design is a large coverlet, featuring deep teal-coloured woollen embroidery on… Read More

a day at Gawthorpe

Some days I wake up and I feel massively, incredibly lucky to have somehow landed here, in this curious new life, as a designer of hand-knits. Last Thursday was one of those days. Because I had been invited — along with Debbie Bliss , Jane Ellison, Claire Montgomerie, and Emma Varnam — to visit Gawthorpe… Read More

a kiss from France

I so enjoyed your translations and comments on this post, that I thought I’d continue the First World War theme with some of my favourite items in my postcard collection. Known to collectors generically as “silks”, these machine-embroidered cards first appeared around 1900, and were produced in vast quantities during the twentieth century’s first two… Read More

Modern Embroidery

A few weeks ago, I discovered a craft / design book that really blew me away. This hasn’t happened for a while, and I love this book so much that I’ve been itching to mention it. Here’s how I came across it: back in April, I decided I would design a tea cosy for Woolfest.… Read More