Paper Dolls anew

coverimage

When I first published this design a few years ago, I used a lovely British yarn that is sadly no longer available — Bowmont Braf 4ply. Many knitters prefer to make their sweaters in the same yarn as the pattern sample, and I often receive queries from folk enquiring about the yarn I used for my original Paper Dolls. I am always sad to tell them that it is no longer readily commercially available (almost as much for me as them — how I loved that Bowmont Braf . . . though I might have a secret stash of it somewhere . . .)*

So when, a few weeks ago, my friends at baa ram ewe got in touch to see if I’d be interested in using the new shades of Titus for a new Paper Dolls sample, I immediately said yes. Have you seen the palette? It is totally gorgeous.

titusshades

This sample is knit using White Rose for the main colour, with Parkin, Chevin, and Eccup for the contrasts. I decided that I wanted to work with three contrasts because I just couldn’t decide between these tasty shades, and they all seem to work so well together . . . though you could easily just use two.

paperdolls4
(ah, Bruce, always trying to get in the shot)

As well as changing the yarn recommendation, I’ve made a few alterations to the pattern. It is now nicely formatted as an eight-page booklet or ebook, which includes the (complementary) pattern for the Dollheid tam (so if you have previously purchased the Paper Dolls pattern on Ravelry, you’ll receive the Dollheid pattern as a free update). There are a few other improvements too, including clearer charts, a detailed sizing table, and a lovely hand-drawn schematic produced for me by Felix . . .

PaperDollsSchematic3a

. . . who also helped out with photography.

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paperdolls2

I am very much enamoured of my beautiful new Paper Dolls, though sadly I shan’t get to wear it, as it will shortly be travelling to TNNA with baa ram ewe. If you see it there, please pet it for me.

The new Paper Dolls booklet is available now in a digital edition on Ravelry, or in print from my MagCloud store . . .

. . .and the print edition is also available to retailers for trade orders.

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*I purchased a few kilos a couple of years ago from Lee. If you are interested in the unique hand of Bowmont fleece, the lovely people at Devon Fine Fibres breed Bowmont Sheep and make beautiful things from the ultrafine wool they produce.

A tale of Titus

As you know, the story of the yarns I use in my designs is very important to me. I am always interested to know as much as possible about a yarn’s provenance and background; like to use fibres that are locally grown and processed where possible; and am especially keen on yarns that showcase the unique qualities of different breeds of British sheep. One of my recent ‘wow’ discoveries is Titus, a wonderful new yarn that has been developed by my Yorkshire friends at baa ram ewe. I am sure many of you will have heard of Titus already, even if you haven’t knit with it, as each new batch seems to disappear from baa ram ewe’s shelves in Headingley and Harrogate almost as fast as it is spun up. Why is Titus so special? Well, this yarn blends the lustrous fibres of two beautiful British sheep breeds — Grey Wensleydale and Blue Faced Leicester — together with 30% UK Alpaca. These three different fibres are worsted-spun together to create a yarn that has a gorgeous sheeny-soft hand, but also tremendous strength. What I especially like about this yarn is that it feels incredibly luxurious but, because of the particular qualities of the fibres of which it is composed, is also clearly really tough and hard wearing. It has a really unique hand — smooth, yet because of the Wensleydale, slightly hairy — and you can tell as you knit it that the yarn simply does not want to bobble or pill. So far, Titus has been available in three natural shades, but five new colours are about to be produced, meaning that the yarn now also has a beautifully balanced palette. In short, I love Titus, and have just completed a couple of designs using it, which I’ll show you very shortly (huzzah!) First, though, I caught up with Verity Britton of baa ram ewe to hear more about Titus and the thinking behind it.

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How did the idea for Titus first come about?

Owning a wool shop and choosing among the hundreds of different yarns that are offered to us does make you think about what your dream yarn would be. We love the fuzziness of our local Wensleydale and the softness of the Bluefaced Leicester and Alpaca, and when the opportunity came to have a small batch spun, we jumped at the chance. It was amazing seeing our dreams become reality!


Can you tell us about the process of the yarn’s development? What was involved?

We knew what mix of fibres we wanted in our yarn, but we’d never made one before, so we took some advice from the the wonderful John Arbon of Fibre Harvest, who spun our first ever batch of Titus. We’re passionate about supporting British Wool and UK fibres and showcasing our local breeds here in Yorkshire, so it some ways it was an easy choice to make. We could say we had a firm idea of exactly how the yarn should be spun and what it would look like but in fact we put our trust in John who had far more experience at spinning wonderful yarns than we did. We were very nervous when we ordered our initial 12 kilos- would we like it? Would anyone else like it? But when the box arrived we breathed a huge sigh of relief. It was absolutely gorgeous and surpassed all of our expectations.


Who was Titus Salt and why is he associated with your yarn?

Sir Titus Salt was a Leeds born wool manufacturer who became tired of the smoke and pollution emanating from Yorkshire’s mills and factory chimneys and built a new mill on the outskirts of Shipley, followed by houses, bathhouses, an institute, hospital, almshouses and churches which became the village of Saltaire, now a World Heritage Site. But this wasn’t Sir Titus’ only achievement. In 1836, Titus came upon some bales of Alpaca in a warehouse in Liverpool and, after taking some samples away to experiment, came back and bought the consignment. Sir Titus became the creator of the lustrous and subsequently hugely fashionable alpaca cloth, which contributed massively to his success as a manufacturer. And that’s why we’ve added 30 per cent of the finest UK Alpaca to our yarn, which adds a little bit of magic to our wonderful wool, and strengthens that connection to our Yorkshire heritage even further.

titus1


It is fair to say that Titus has been a roaring success, recently voted no.1 British yarn by the readers of Knit Now Magazine! Do you have any plans for new colourways and ranges?

We have been completely bowled over by the popularity of Titus and can’t thank knitters and customers enough for their support, especially for their patience when we sell out! It’s been so popular that we have now been able to introduce a brand new Titus colour range spun by the amazing Peter Longbottom of West Yorkshire Spinners. There are eight shades, all inspired by our Yorkshire surroundings, which blend beautifully together making them ideal for colourwork. It’s being dyed up as we speak and should be available in the next week or so- we’re so excited!

baa ram ewe is located in the historic hub of the UK textile industry. Is that heritage important to you? How?

One of the biggest reasons for opening baa ram ewe in Leeds and now Harrogate was to reaffirm Yorkshire’s historic link to wool and to celebrate that heritage. Industrial towns like Leeds, Bradford, Halifax and Huddersfield would not have flourished without the wool trade, and towns like Harrogate with the Yorkshire Dales on its doorstep mean sheep breeds like the Wensleydale and Swaledale are practically on your doorstep. We want to celebrate that woolly heritage and we love that so many of our customers want to see and buy yarn that is local to Yorkshire- it means we must be doing something right!

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I lived and worked in Yorkshire for many years, and love it for many reasons. What is special to you about Yorkshire and its landscape?

It’s hard to put your finger on it, but for me there is an understated natural warmth and beauty to both the Yorkshire landscape and the people that live here. Yorkshire has a really captivating mix of both industrial and rural heritage that is really unique, creating a quiet confidence that envelopes you and makes you proud, even if- like me- you weren’t born here. It’s a rich, varied and special place and if you haven’t been- come and visit soon!


What is your favourite Yorkshire expression or dialect word? (For the record, mine is probably GINNEL).

Oooh I like Ginnel too! Joint favourite though is one I got from my husband and is RADGED, as in ‘he were proper radged’, meaning very, very angry. To me, it’s almost an onomatopoeia. My mother in law says it all the time and it always makes me chuckle.

Finally, what’s next for baa ram ewe?

Oh Lord, who knows? We’ve just opened a second store in Harrogate, North Yorkshire, so we’re still recovering from that. We can’t wait for our new Titus colour range to hit the shelves any day now, and then we’ll be taking that to Woolfest in Cumbria and TNNA in the U.S in June, as well the new Yarndale show in Skipton this September. Oh, and then we’re organising the second Yorkshire Wool Week in October. So just another quiet year for us again then….

Thanks, Verity!

And finally, here’s a wee hint of what’s to come in my Titus designs :

Pussy_Willow_001

New Lanark, the egg, and the naming of things

hiya

Hiya! It is I, Bruce. Today I am here to tell you about the place called New Lanark.

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Tom and Kate have been to this place many times, and are fond of it for many reasons. Kate particularly likes New Lanark because
1) it is the birthplace of Utopian Socialism and
2) it makes yarn.

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As well as being an important World Heritage Site, New Lanark is a place where you can enjoy the spectacular scenery of the Falls of Clyde.

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This was definitely the bit that interested me.

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Up along the river banks and woods, there is much fun walking to be had. I smelt many interesting smells and went for a swim . . .

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. . .I looked after the humans, hurrying them along the paths, and posing obligingly for photographs.

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. . . I also heard some sounds that were new to me. For example, these icicles on the opposite bank made an interesting crrrrrrack and crrrrrash sound as they broke and fell into the river.

icicles

Then we came to a place called The Hide.

hide

There was much excitement around The Hide because The Egg had just appeared in the nest of a Peregrine. The humans at The Hide had equipment through which Tom and Kate could look and see the Peregrine sitting on The Egg. Kate seemed quite interested in The Egg, but was perhaps even more animated by the colour of the Peregrine’s eyelids, which were apparently a very very very bright yellow. I was not allowed to look through the equipment, but I was very good on my lead and did not snaffle any of the Hide humans’ tasty meat-filled sandwiches while they were being distracted by the excitement of The Egg.

confusion

Now, I know and understand many human words — egg and chicken, for example, are two words that make a lot of sense to me. But two words that do not make sense are the words called Monkey Walking, which is what the humans shout at me with glee when I do this on a path with gaps in it:

monkeywalking

The naming of things is perhaps the deepest of all human mysteries. For example, why is this crunchy, tasteless, pointless thing called Lichen when there is nothing to like about it at all?

lichen

Why is this piece of Scottish hydroelectrical equipment called YORKSHIRE?

yorkshire

Who named this bench BROWN LONG EARED BAT?

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And which daft human decided that this fence should be called DONKEY?

donkey

Answers on a postcard, please . . .

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See you soon, Love Bruce

Kate adds: A shout-out to Laura, the New Lanark ranger, who reads this blog and who we met on our walk today. Thanks so much to Laura and all her colleagues for their hard work maintaining this wonderful landscape for everyone to walk in and enjoy! xx

Rowan and me

feltedtweed

Some time in 2005, I was walking through the Edinburgh branch of John Lewis when my eye was caught by the display of Rowan yarns and samples. The gorgeous colours of the yarns and the beautiful styling and photography of the pattern books and magazines really grabbed my attention. On the spot, I decided to start knitting again, and picked up several balls of Big Wool in, if I remember rightly, the ‘tomato’ shade. The first thing I turned out was a gigantic tomato-coloured moss-stitch wrap on 10mm needles, and since then I have not looked back. What I’m saying is that it was Rowan’s yarns, designs, and photography — their distinctive and immediately recognisable aesthetic — that inspired me to take up my needles. I am sure that many knitters (and designers) have a similar tale to tell.

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I have been writing features for the Rowan Magazine since 2009, and each one has been a pleasure to produce. Marie Wallin always provides suggestive and inspiring editorial briefs; the generous word length allows one to properly get one’s teeth into a topic; and it is genuinely thrilling to see one’s words and photographs laid out in such a well-produced and seriously beautiful magazine. Research for the fine lace feature I wrote for Magazine 50 (A/W, 2011) took me to Shetland — the first of many trips, and, for me, the beginning of another journey.

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Although I have worked with Rowan for almost four years, I have never met Marie or the rest of the team. Yesterday I finally had the opportunity to do so, and popped down to Yorkshire to visit Rowan’s Holmfirth HQ.

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I had a lovely day. It was both fascinating and inspiring to see behind the scenes, to gain an insight into the complexities of the design and production process from start to finish, and to catch a glimpse (and squoosh) of what knitters will be treated to in future seasons. It was also lovely to put faces to design-room names, and to have the opportunity to chat about future projects in person.

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As these photographs will suggest, it was one of those incredibly busy sorts of days when there wasn’t an opportunity to make use of my camera — but these tasty balls of Felted Tweed may give you some indication of various things-in-process. All I’ll say right now is watch this space!

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Thankyou, Marie, David, Kate and the rest of the Rowan team for a wonderful introduction to the mill!

Fun in Frome

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Did I mention that I really love my work? This week work took me to Frome — a beautiful small town in a part of Somerset which I have never visited. I was there to see Jen . . .

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. . . and also got to hang out with Jim (the inimitable Veuf Tricot) and Scooter. The latter is a very smart feline — far too smart to injure his dignity posing for photographs.

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Jen and I worked (and plotted) really hard, and then then took an afternoon off to potter around town. I’m really glad we did, as Frome is a place that seems to demand pottering.

Everywhere you look, there are inviting windows to peer into. . .

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And things to look at . . .

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bouquets

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(This needle-felted Seagull mask was one of an incredible collection in a shop called OWL. )

On Catherine Hill, there are several fabulous vintage stores, selling niche and carefully curated garments and objects. I love this selection of cloches . . .

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. . . and am concerned that this dress and its very particular green is going to haunt me.

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Catherine Hill also boasts a lovely haberdashery shop called Millie Moon

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I have a mild addiction to ribbons and trims . . .

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. . . which was certainly fed there.

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And best of all, Catherine Hill has its own lovely yarn shop – Marmalade Yarns

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In this extremely pretty and well-situated shop, Catriona and Maxine sell a superb selection of British yarns from mainstream producers like Rowan to some of the best independents like Skein Queen, Fyberspates, and Shilasdair. Marmalade Yarns is also a stockist of (ahem) ME. I don’t think it will ever stop being exciting to visit a place that sells my book and patterns.

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(Jen and Catriona outside Marmalade Yarns. Yes, Catriona is wearing an o w l sweater!)

Thankyou, Jen, for a fun and productive couple of days, and for a great introduction to Frome!

neutrals

swanswatch

I don’t know what has happened to my knitting. You’d think that with January’s dim light and grey palette I’d be longing for colour, but somehow, all I want to do is knit teeny tiny cables in neutral wheat and putty shades.

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These two swatches were knitted with two of my current favourite yarns. The swatch at the top of the post was knitted in Sue Blacker’s Swan DK – a rather lovely, smooth and very well-spun Falkland Island merino with a bouncy hand, good stitch definition, a pleasing matt quality, and a lot of life and spring.

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The second swatch was knitted in Baa Ram Ewe’s delicious Titus — a wensleydale, BFL and alpaca blend that is so popular that it keeps selling out!

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Titus is, in many ways, the complete opposite of Swan — drapey and fuzzy with a slight honey-coloured sheen. While cables pop right out of Swan, they flow through, and merge into Titus. Very different effects, but both are equally pleasing.

There is something so quiet and meditative about these netural shades, and I am really enjoying knitting with them. I think these swatches might want to be designs. We’ll see.

snawheid

Here is the result of my pompom mania — SNAWHEID!

Snawheid is a seasonal, snowflake-adorned beanie, feauturing a gigantic snowball pompom. It being Wovember and everything, I thought it would be fun to present to you three rather different Snawheids, each made in a different British breed-specific yarn. All are, of course, 100% wool (as is, incidentally, the rest of my outfit, with the exclusion of my boots).

Snawheid #1 is knitted in Shetland Organic 2 ply. As its name would suggest, this yarn comes from certified organic Shetland sheep, and is processed by organic mills. It knits to a standard 4 ply tension, and, as you would imagine, has a lovely woolly, typically Shetland hand. In the ball it has a matt, almost chalky feel to it and it is plied and spun slightly looser than other natural Shetlands I’ve knit with. When blocked, it puffs right up, producing a lovely halo. I gave it a good long soak and the yarn bloomed and relaxed tremendously. Its a really special, totally traditional Shetland yarn, and makes a lovely soft, even fabric. It has lent Snawheid #1 a quintessentially cosy, Wintery feel.

For a rather different look, I present to you Snawheid #2, which has been knitted by Jen in Excelana 4 ply.

I decided not to stick the pompom on Jen’s Snawheid just yet, so that I could show you my crown design — which is shaped to resemble a gigantic snowflake. If one were in any way averse to pompoms, or preferred a sleeker look, the crown ensures that your heid will remain adequately snaw-y, however you decide to knit this hat.

Excelana is a collaboration between Susan Crawford and John Arbon: the former has unparallelled knowledge of vintage yarns, and the latter is the UK’s independent spinning meister. The result is this delicious blend of 70% Exmoor Blueface / 30% Bluefaced Leicester which has an incredibly smooth, soft hand, a lovely sheen, and a good bit of bounce. Being worsted spun, it also has superb stitch definition, making it ideal for showing off some festive colourwork snowflakes.

Without the enormous pompom, and knitted in the monochrome shades of Persian Grey and Alabaster, I think Jen’s hat has a lovely muted, classic feel.

And finally, here is Snawheid #3.

After I finished Snawheid #1, and got my hands on Snawheid #2, I had a sudden desire to make another one using Jamieson and Smith Jumper Weight. Snawheid #3 is knitted in shade FC 34 — the coolest of cool winter blues — and 1A, a natural Shetland white.

I am not quite sure why, but this is my favourite of the three.

Perhaps I am just in a blue-hat mood, or something.

Or perhaps its that the addition of colour makes this hat feel particularly jolly and festive.

Or perhaps it is just that knitting with Jamieson and Smith jumper weight feels like spending time with an old friend.

In any case it is fair to say that I have gone a wee bit Snawheid crazy. These gigantic, happy pompoms certainly chime with my mood right now; I am really pleased with the design and I absolutely love every one of these three hats. And let me tell you that you have got off lightly with the name, as the temptation to call it Bawheid (one of Tom’s dad’s favourite insults) was extremely strong.

Well, now there’s just a bit of pattern-tweaking and checking to do and, all being well, the SNAWHEID pattern will be released on Ravelry tomorrow (19th).

three hats!

Perhaps it is the time of year, but I definitely find myself in full-on hat-knitting mode. I’ve finished the first clue of my Woolly Wormhead Mystery hat . . . I’m not sure whether or not the next photograph warrants a SPOILER ALERT warning, since it is purposely rather cryptic and unrepresentative, but if you are involved in the KAL and would rather not see, then look away now!

I am using Fyberspates Rural Charm (70% Bluefaced Leicester 20% Silk & 10% Cashmere) in shade “Forest,” a birthday gift from Jen and Nic (thanks, ladies). This deliciously luxe, and slightly variegated yarn is quite unlike anything I’ve been knitting with recently, and I absolutely love it. It is soft and smooth in the hand, with an amazing sheen, but the high proportion of Blueface Leicester means that it also springs up with a little bit of steam – the stitches bloom and puff out to fill their available space in a most pleasing manner. The ‘forest’ colourway is a beautifully complex green, with some dark undernotes and a lot of Autumnal gold in the finish. . this is beginning to sound like a whisky tasting . . . in any case, it is a very tasty skein indeed, and I’m looking forward to my next clue, so that I can continue working with it.

Clearly knitting Woolly’s brim has made me hungry for head coverings, as I immediately cast on another:

This is not, strictly speaking, a hat, but Anna Elliott’s Spirograph Headband which appeared in a Summer Issue of Knit Now, and whose neat simplicity I have admired for some time. One of the perils of working from home is the inevitable neglect of one’s personal appearance. Recently, I have been working very hard, and I would frankly rather spend time on my book and other important stuff than superfluous matters like, um, brushing and styling my hair. The only person I tend to see during the day is the postie (who doesn’t seem to care that I am dishevelled) and I only leave the building to go for a walk with Bruce (who happily has said nothing along the lines of ‘she’s letting herself go a bit’ etc). Anyway, some days when walking time arrives, I just want to gather up my unruly mane, squirrel its hideousness away in a pleasing TUBE, get out of the house, and go for a good four mile stomp. Until the book is done and I can be arsed dealing with my increasingly unkempt appearance, this headband will hopefully fulfill that function. I am using Kid Classic, one of my Rowan favourites, in shade ‘Nightly’ (846).

And finally, some yarn that has not yet begun to be a hat, but will certainly do so soon. The yarn is grey Shetland 4 ply from the lovely folk at Shetland Organics. This yarn has a great bouncy hand, a proper Wintery sheepy feel, and a real depth of hue in its natural fleece shades. I have been gripped by a familiar compulsion to make lots of festive things, and fear I am about to design a hat whose seasonal theme will make Boreal look quite restrained. We will see how this goes . . .

Shetland Wool Week in Pictures: part 3

where we stayed (I would heartily recommend it).

And the view from our window.

Shetland Times Bookshop, ready for Wool Week.

Delicious Fair Isle Cake, at the Heritage Yarn launch


Wonderful new yarn from Shetland Organics

Projection of Jo Jack’s work at the Bonhoga Gallery



Luminous Yarns

Jane Outram’s prize-winning tablet weaving at the Shetland Textile Museum.

Pressed-felt brooch by Donna Smith


Shetland Wool cushions by Ella Gordon

Phat Sheep Textiles

Handwoven pincushion from Aamos Designs

Nuff said.

Shetland Wool Week in pictures, part 2


Mel at Aithsetter


Mel and Hazel McKenzie, our Wool-Week landlady.




Sandra and Ella at J&S (if you are wondering about their cardigans, there’s a free pattern here)


Eric Stewart, showing us around the impressive textile facilitation unit at Shetland College


Knitters from six nations enjoying a trip to Unst (yoohoo ladies! It was lovely to meet you!)


Hazel Tindall, teaching Fair Isle


Gudrun, teaching lace


Susan, looking fabulous


Chris Harrison, Operations Director of Vi-Spring, receiving an award from Eric Wilson, past-master of the Worshipful Company of Woolmen, and one of the directors of the Campaign for Wool


Oliver Henry, telling us about the development of the new Shetland Heritage Yarn

(if you look at the window-reflections in the previous 2 photographs, you’ll see Misa and Deborah — the organisational geniuses behind Shetland Wool Week, to whom we are all incredibly grateful for this fantastic event! I think I can also spot Jane’s back in a rather pleasing cardigan . . .)


Me and Bess Jamieson – both wearing Fairisle – at the Shetland Textile Museum.

(Big thanks to Cathy Scott for permission to reproduce her photos of the Unst trip and Hazel’s workshop)

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