Kate Davies Designs

in which I discover Scottish Madras

The other day Brenda, my lovely neighbour, appeared with a piece of paper in her hand, a gift for me. When I unfolded it, the piece of paper turned out to be a rather interesting and very beautiful… Read More

Lopi & Band interview

Today I want to share with you a conversation I recently had with Margret Linda Gunnlaugsdóttir and Ásdís Birgisdóttir – two of Iceland’s most important and influential designers of hand-knits. I knew of Ásdís and Linda’s work with… Read More

Cockatoo Brae

Yes, you did read that correctly — Cockatoo Brae. This remarkable phrase is, in fact, the name of a lane in Lerwick, Shetland, and it is also the name of the final yoke in my collection. This design… Read More

A day at Sanquhar

Have you been to Sanquhar? I am ashamed to say that I hadn’t — until Saturday. Sanquhar Knitting Workshop was part of Glasgow University’s Knitting in the Round project and was held at A’ the Airts, a lovely… Read More

knitwear and cultural relativism

One of the issues I’ve found myself thinking about an awful lot while writing my book is how knitwear “traditions” are never completely national or regional in origin, but are always interwoven and interconnected. Knitting is a fluid… Read More

Great Tapestry of Scotland 124-160

Panel 140: Cumbernauld Well, this is my final post on the Great Tapestry of Scotland! I have really enjoyed revisiting my photographs, and thinking more about the tapestry, and your comments have also provided much food for thought…. Read More

Great Tapestry of Scotland 1-23

On Sunday I finally got to see the Great Tapestry of Scotland. I was completely blown away by the vision of Alistair Moffat (who produced the tapestry’s historical content and context), Andrew Crummy (the superb artist who designed… Read More

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