Good Walk

Hiya! Remember me? My name is Bruce. Today I am telling you about a Good Walk. This Walk begins at the place called Blackford Hill.

This place has lots of grass. If you are lucky, the humans will stop to admire the thing that they call View . . .

. . . while you find a fine bristly stick, and prance with it.

Then the Walk gets even better, because it goes to the place called Hermitage. This place has mud and water and many, many sticks.

As usual, Kate was going far too slowly and stopping far too much to click-click with the camera.

She was also spouting the familiar human nonsense about how the light was changing, the birds were singing, and the gorse was coming into bloom &c.

Personally, I am not a fan of this gorse-stuff, as it is too bristly even for me to rummage in. Give me a stick any day.

Today I located many, many good sticks because of what is called “recent storms”. Here is an excellent example, but I was not allowed to tackle it.

Now, sometimes on a walk, I find a Nice Big Stick, and bring it home, where the humans feed it to the fire-beast. If only Kate had remembered that wheely-thing that she takes to the shops, I’m sure I could have helped to fill it up with these . .

Such a shame. But then later, by the water, we found the most exciting sticks of all. They call this thing ” Woodland Marimba”, but this means nothing to me. All I know is that when Tom hit these sticks, they sang a tune.

Singing sticks?

Singing sticks!

Shall I sing too?

Make them sing!

The more I sing, the more they sing!

They must be mine!

Kate seemed to find my singing very amusing for some reason.

But, predictably, I was not allowed to bring these mysterious and magical singing sticks home with me. Such is life.

See you soon! Love Bruce x

leafy

More graffiti, of a kind. If you are often out walking around the North side of Edinburgh as I am, then you may well have spotted the mysterious leaf-folk who have recently appeared near Belford bridge. One turned up a few weeks ago, and there are now five human figures plus a leafy dog. Their maker is apparently anonymous . . . but, then again, perhaps they have no maker: I rather like the nonchalant way that they seem to have just formed themselves out of the urban Autumn landscape. One often sees lone hats or gloves on this path, looking rather damp and folorn, and it is as if these lost objects have found themselves new leafy-bodies.

ex terra lucem

I returned to Lancashire for the weekend, and went for a walk with my mum and dad.
We parked the car near the colliery gates. . .

dream2

. . .and we made our way over the landscape which covers the site of the mine. The trees thinned and the ground rose up before us.

dream3

Then this appeared, luminous among the weeds and rushes.

dream4

We went to get a better view.

dream5

Those of you who live in Lancashire, or who have been watching Channel 4′s Big Art Project will know that this is Dream, the arresting and very beautiful piece of public sculpture commissioned from Catalan artist, Jaume Plensa. Mining has been at the heart of St Helens for four hundred years until 1991, when Sutton Manor Colliery closed. A group of ex-miners nominated the colliery as the site of a new landmark work of art: a piece that they felt should not merely be commemorative or contemplative, but forward looking and inspirational. After conversations with the local community, Plensa designed a piece that is suggestive both of the “dream of light when you are working in darkness” and the old Victorian motto of the town, “ex terra lucem” (out of the earth comes light). The finished sculpture was unveiled on May 31st, and quietly sits above the landscape of Sutton Manor Community Forest, the focal point of a space that is emphatically for public use.

dream7

Dream is a child in sleep, her features smoothed away. But there’s a promise about her too that is more than a little discomfiting. Those eyelids might well flicker into life. What will she see if her eyes open? Will she rise up further from the earth?

dream6

When we were there, there were lots of people. Everyone spent time looking at the sculpture, and everyone seemed to want to touch it. Kids ran about, adults posed for photographs, lay on their backs in the sun, ate picnics. Several hundred thousand people have apparently already visited Dream since its unveiling on May 31st, and I’m very pleased to have been one of them. Local feeling about the sculpture is incredibly positive, though there have been a few sadly predictable complaints that Dream does not dominate the landscape enough to be seen from the motorway. There’s not much you can say to someone whose test of whether something is a landmark or not is its visibility from the M62, but why not actually stop your car, get out, and take a look? Why not walk the less than half a mile up over the old pit, through this great landscape that the forestry commission have now transformed? Why not sit on the steps around the base of Plensa’s Dream, and look back down on the amazing space of the North West all around you?

dream1

Dream stands twenty metres high but is not in the least monumental. It wears its status as a piece of public art quite lightly. The child’s face, the closed eyes, mean that there is an intimacy about it and the space in which it sits. This intimacy, and the way the work speaks back to the landscape of St Helens, means that the piece will not just be an end in itself, but will become the occasion of other dreams for this landscape. All good.

dream8

Follow

Get every new post delivered to your Inbox.

Join 3,956 other followers