monkey (shrug)

Wot? Actual knitting content? Warning: I’ve got a little over-excited by the fact I’ve actually knitted something, so this post is picture-heavy.

Given all my quilting/ stitching / sewing activities, knitting has been taking something of a back seat recently. It is nice to stitch when the evenings are so light and this is a novelty I feel I should take advantage of. So this shrug thing has been on my needles for some months, now. I’ve been rather faffing around with it — knitting it on and off — and finally finished it last week.

The pattern is built around the basic shape of the shrug in this book (see pic in purple toward the bottom of the page) but there are a few mods.
1) The stitch pattern is different: I used a 10 row back-and-forth version of the lace pattern in Cookie A’s ubiquitous Monkey, alternating with a 6 row front-crossed cable.
2) Why is there so much berloody seaming in these patterns? I just picked up the edging and knitted it in 1×1 rib one one circular needle, in the round, all the way along the back and two fronts. This has drawn the front in nicely and gives a good fitted shape. Can’t see what would be added by knitting the back and front edgings separately. This is a garment that needs to hug the body. It would not benefit from tailored seams. Weird.
3) I knitted this with thinner yarn, at a tighter gauge, on smaller needles: 3.25 mm and 6 stitches to the inch. I used Rowan 4 ply soft. Not a particularly interesting yarn, but I am actually quite fond of it. It comes in some nice colours, wears well, and has super stitch definition.

So I got to wear the monkey shrug out for a nice lunch in Leith. Here come the pics.


(Nce view there of my midge-bitten calves. Highland walking wounds. Oh well . . . )

And because I felt you should see some of Leith as well as me:

This is Paul Grimes tribute to Leith, its working people, and their history. I am very fond of it.

Pattern: Debbie Bliss Shrug (with mods)
Yarn: Rowan 4 ply soft. 4 x 50g. (I used exactly 4 balls).
Needles: one 3.25 circ for the whole thing.
Ravelled here.

I really like it — all except the shoulder seams — which I reckon it would look better without. If only I had thought beforehand I might have devised a way of kitchener-ing it together, or just having a seam at the underarms. Shrugs and boleros do not need seams. Hmm. I am now very tempted to knit Ysolda’s lovely Briar Rose which neatly illustrates how this is the case.

reading & knitting

My favourite Elizabeth Zimmermann book is the Knitter’s Almanac. When I first encountered it a few years ago, I remember being very struck by the passages on reading while knitting (in the ‘April’ chapter). At the time I thought this was utterly remarkable — combining two activities simultaneously? Two activities requiring two very different kinds of concentration? Surely it was impossible! I have since discovered that this is not the case, and that reading and knitting actually complement each other rather well. Clearly one should always trust EZ. In fact, I now find that knitting serves to focus my reading in quite a weird but useful way. I tend to read quickly and impatiently, but knitting makes me slower, more careful, and much more methodical. At the moment I am catching up with a backlog of books for review. One has to take one’s time with those. This is just the right kind of reading to knit to.

This is what makes the whole thing possible.

bookstand.jpg

I am very fond of this bookstand, which is made of a lovely old piece of oak. It gets a lot of use, and in fact I tend to treat it rather brutally — it usually sits on my desk overloaded with a few too too many books and scribbled notes. This is probably all too evident from its battered appearance, and the several places where it has been fixed and glued.

In terms of the knitting, I just needed a project that I could go either round and round, or back and forth with, in a relatively simple manner. No cables or lace. I found such a project . . .

knittin.jpg

. . . and both the reading and the knitting zoomed by at a ready pace. Yesterday I wrote up my reviews, and in the evening sewed up this:

shruggyb.jpg

A bolero jacket from this collection by Debbie Bliss.

It hasn’t been blocked yet, and I think it probably needs it, but the slightly uneven (would others say ‘rustic’?) appearance is at least partly a feature of the yarn its made from — handspun cashmere that I bought at Teo’s on Skye last summer. Knitting with this stuff was amazing. I can only compare the feeling to running ones hands through a bowl of sifted flour of a very fine grade. Ah me. The gauge was quite difficult to approximate because of the way the yarn behaves — it wasn’t sure from one row to the next whether it wanted to be aran or chunky. But I trusted my instincts and Debbie Bliss, and it worked out just fine. I knit it on 5.5mm needles, rather than the 6.5 the pattern calls for, and this has produced a shape that’s reasonably tailored on someone with narrow shoulders like me. Not a Spring jacket, by any means, but just right for now.

nushrug.jpg

Can I say that several hours of careful, focussed, and stimulating reading while knitting cashmere at the same time probably constitutes my ideal working day? A shame that writing while knitting is a complete impossibility. . . . or is it?

Pattern: Bolero Jacket, Debbie Bliss “Simply Soft”
Needles: 5mm (for ribs) and 5.5 mm
Yarn: Teo’s handspun cashmere, 450g.

Follow

Get every new post delivered to your Inbox.

Join 3,947 other followers