Kate Davies Designs

goats & yarn


As promised, here are Mel’s goats. She selected Buachaille shades Squall, Islay and Haar for her set, and the effect is quite different to the colours I chose for mine. Here’s a good shot of the top of her heid, where you can see the amorous goats, and the hearts at the centre of the crown.


I say “you can see” but it now turns out that many folk don’t see the goat-iness of this pattern at all. I find these optical preferences quite interesting, and suspect in this case its largely because the goats are rendered in a lighter shade on a darker background. So if you aren’t seeing it immediately, just stare hard at the lighter shade on Mel’s heid and THINK GOATS.


Do you see them now?

Only Mel would have carefully selected a colour-co-ordinating nail polish to wear with her goaty gauntlets.


I’m pleased to say that I’ll be putting more goat kits up in the shop later today, in both colourways.


. . . and (small fanfare) we’ll also be putting Buachaille on general sale.


Our plan is to update the shop every Sunday afternoon (around 5pm) and to re-stock it with what we are able to prepare and ship over the coming week (without driving ourselves donutty). We had a delivery of Buachaille last week, so do be assured there is enough yarn for everyone, but we have to phase its release in terms of what we can feasibly manage. If a particular shade sells out quickly, it is likely to be available again the following week. Tom is labelling and stringing yarn tags as we speak in preparation for today’s update. We have a good system and some great new shop software in place and everything is ready!

Buachaille retails at £7.49 per 50g / 120 yards / 110 metres and all seven shades will be available.
The shop update will be at 5pm GMT.

I’m off to tag some skeins. See you later!

all go

Well – we shipped all the Seven Skeins Club packages, and they are now starting to arrive all over the world. Parcels of yarn were landing in Denmark and Germany by the middle of last week, and there were sightings yesterday in Illinois and Texas. If you are waiting for a package yours should not be far behind.

Friends in my Ravelry group have set up this fantastic map through which its been exciting to track the parcels. As and when your Seven Skeins package arrives (or if it has already done so), please do feel free to add your pin to the map so we can see you! And if you aren’t already part of my Ravelry group, there is a thread set up especially for Seven Skeins Club chat, and there will be further threads for discussion of the patterns, when they start to appear, so please pop along there and join your knitting comrades. Its been so lovely to see photos of the yarn arriving, and hear your reactions (I am especially pleased you are enjoying Buachaille’s colours, and its sheepiness)!

If you are a Seven Skeins club member, some preliminary welcome information will go out to you on Tuesday, 13th October . This information will be delivered by email, to the email address associated with your order, and will be sent using MailChimp. Please double check your inbox settings, as well as any “promotions” or spam folders (in case the message is fired off there) and if you haven’t received your message by Thursday, please get in touch with us (infoATkatedaviesdesigns.com) so we can iron out any glitches. The first pattern will be delivered on Friday, 16th October, and then you can really start to enjoy your yarn!

As we are in the final stages of pattern / book preparation, things are incredibly busy here, as you might imagine, and any photographs I have are of things I cannot yet show you. But I will leave you with a wee video clip that friends of Bruce will enjoy. On the morning of our wedding, Tom and I went for a walk around the woods and beaches near Port Ellen with Bruce. In the woods we found a buoy hanging from a tree – an object which Bruce found extremely exciting. The quality of the video is a bit rubbish, as it was taken with my phone, but it still makes me laugh every time I see it. I think he would have happily played with that buoy all day.

Seven Skeins dispatch central


Since Friday, we have been very busy packing and dispatching yarn parcels for the Seven Skeins club.



We are working hard, but oftentimes I find myself stopping just to admire and squoosh the lovely wool.


The seven shades compete for my affections. At the moment I think my favourite is Haar – the silvery-grey natural fleece shade, inspired by cold sea mists.


This weekend we’ve packed the majority of the airmail (we’re holding off sending Ireland, because of a postal strike). This was the scene when we finished last night.


Now Tom is just heading off to the sorting office – the first of many trips today!


Bruce was very excited to see that some parcels in this van-load were going to Labrador.

So if you are a club member, a parcel of yarn will be heading your way!


We hope you are as batty about Buachaille as we are!

Love Kate, Tom, Mel, Gordon, Ivor and Bruce xx

behind the scenes . . .


A couple of days ago, we announced the Seven Skeins Club – a venture we’ve been planning for many months, and which we hope will allow everyone who wants to to sample our lovely new Scottish wool. (If you are interested, you can read more about what the club involves here.)

People have been writing to me with their concerns about availability. Will they miss out on membership if they aren’t sitting by their computers on Friday? Well, we really are hopeful we have enough yarn for everyone. . .


I am hard at work writing and knitting the club patterns, and Mel is knitting too. Some designs will have both plain and colourwork options, so we are making two of everything.


We are also producing a new book especially for club members – Buachaille: at Home in the Highlands. The exciting thing about this tome is that it includes much more than my designs! As well as essays about the landscapes that inspired (and raised) our yarn, Tom has been developing and perfecting some delicious highland recipes. . .


. . . and he and our friend, Gordon Anderson (a qualified mountain leader), have been out and about in the highlands, preparing a beautifully photographed guided walk up Buachaille Etive Mor, the iconic mountain which lends our yarn its name.


We are all enjoying working on this project tremendously! If the Seven Skeins Club is of interest to you, you will be able to join from this Friday, September 18th by purchasing a membership in the shop.

You’ll find more information about the Seven Skeins Club here.
There’s more information about Buachaille – our new yarn – here.
And you can sign up to our newsletter here.

highland coo – dyed!


I had some knowledge of most of the manufacturing processes that making my yarn involved, but the process I probably knew least about was dyeing. Like most designers, I love colour, and I am very picky about the shades I use being just right. I had a very clear idea in my head about what I wanted my highland coo shade to look like, but very little idea about how that shade might be translated into a dyed yarn for hand-knitting. Tom and I suggested to Adam that we’d very much like to observe the dyeing process from start to finish and thanks to him, and our wonderful dyers, Harrison Gardner, we were able to do just that.

Harrison Gardner are another great Bradford textile company, based a short drive away from Haworth (we are really pleased that all of the processing of our fibre and yarn was done within a small West-Yorkshire radius). Harrison Gardner are a family company who have been expertly dyeing yarn since 1901. They dye yarn on the hank – a process that is ideal for our requirements, because of the nature of our yarn (high-quality 100% wool), and the consistency of the end result (hank dyeing is in some respects more time consuming and costly, but also allows colour to be absorbed more uniformly than other processes).


At Harrison Gardner we met Jonathan Harrison, co-director with his brother, Daniel, and part of the fourth generation of his family running the company. Jonathan is head of production, and has a refreshingly hands-on approach to all of the processes the company’s involved in, including colour matching, which was one of the things I was most interested in seeing.


I was able to show Jonathan what I wanted my highland-coo shade to look like, and the dye recipe was created by matching my requirements in an incredible machine. The machine generates dye recipes that can accommodate a fascinating number of customer demands and criteria, including cost, fibre type, and colour consistency across a range of different light conditions. These light conditions include daylight, tungsten light, and a wide variety of other artificial point-of-sale lighting methods commonly used by retailers (including the very particular kind of artificial light that is apparently used by Marks and Spencer). Once a colour recipe is created and agreed on, this is tested on a sample of the customer’s yarn in Harrison-Gardner’s dye lab (a neat operation that closely resembles the indie-dyeing workshops or studios many of you will have seen).


Its not just a matter of trusting the colour-testing and recipe-generating methods of the nifty machines – everything is double-checked by eye, and the expert dyers have to be happy with the result. Once they are happy, the recipe is scaled up, and then the fun begins in the large custom-built dye house next door.


This is the dye bath in which my highland coo shade was created! Jonathan explained that they use this particular machine for dyeing quality pure-wool yarns because the action of the wash is comparatively gentle, ensuring that none of the fibres are felted or damaged – even when the temperature in the dye bath is raised to boiling point. My yarn was arranged above the bath in 2 kilo hanks, and prepared for dyeing. Here it is!


The brown-y grey skeins that you can see at the end of the bath are there to offer further protection to my yarn against the swooshing and swirling action of the dye-bath. They are there to take up the flack, and ensure the fibre achieves maximum dye absorption with minimum impact. Keith (an expert dyer who has been working with Harrison Gardner for over 30 years) poured a bucket of highland-coo coloured dye solution into the bath, and then the hanks were lowered in . . .


At this point, as you can imagine, we were extremely excited! Jonathan then took us for lunch in the factory canteen, where we were treated to a superb home-cooked steak pie and peas which we ate outside in the sunshine. After a very pleasant lunch, we were able to return to the dye bath to see how things were doing. Here comes the highland coo!

As you can see, the yarn is very wet indeed, and colour can look very different when the yarn is dry. So to get a proper sense of the shade the yarn had now taken, we had to see a dry sample. Towards the end of the video clip, you can see Keith disappearing with a hank of the yarn that has just emerged from the dye bath. Keith took this hank to a small drying cabinet – very like a hair dryer – in which the yarn was dried. Together with Jonathan, we were then able to check the shade in the colour assessment cabinet (which also mimics a variety of light conditions)


I liked the result, but I did feel that it needed the tiniest amount of adjusting to look completely like the rich and rusty coo-like shade I’d pictured. Jonathan agreed, more dyes were added to the bath, and the yarn went through the process again.


This time the shade was absolutely perfect!

After dyeing is complete, the yarn hanks are dried – first in a sort of giant spin dryer . . .


. . . and afterwards in a specialised hank dryer.


I was particularly intrigued by the hank-dryer and its effect on the yarn we saw going through it . . .


. . .which was noticeably loftier and poofier when it came out than when it went in. Jonathan explained that this loftiness is a very important factor for yarns used in the carpet industry (of which they dye many), as well as yarns for hand knitting. When you see my yarn, the dyed shades have, I think, a slightly poofier handle than the undyed shades – this is a pleasing and natural effect of the hank drying process, and everything evens up in the blocking.

Finally, the dried yarn is wound onto cones . . .


. . . and sent a few miles down the road to the skeiners.

Now for the moment of truth: a finished skein of highland coo!


We had a fascinating day at Harrison Gardner, and we were really impressed with the commitment and interest of the lovely staff, and indeed with everything with saw. Best of all the dyed shades are exactly what I’d dreamt they’d be. It is a truly amazing feeling seeing the colours you’ve pictured in your head imagine become a woolly reality!


Between Weathers


Thankyou so much for taking the time to show us the whole process, Jonathan! Tom is still dreaming about that steak pie . . .
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Seven Scottish Shades

Its time to tell you about my yarn colours! I’ve created seven new shades for Buachaille, and all have been inspired by different aspects of the landscape in which I live and love to walk: its flora, its fauna, and of course its weather.

Here’s what inspired Buchaille’s seven Scottish shades!

1. Highland Coo
These noble beasties are a true highland icon, and I have long been fascinated by the wonderful colours of their coats, which range from the palest caramel, through a deep russet, to a rich moorit brown. As I’m out walking, I frequently find myself picking up scraps and samples of coo hair which have been left behind on trees and fences, and wishing I had enough to spin up . . .I decided that dyeing some yarn was easier than shearing a coo. . . Highland Coo is a rich autumnal rusty-orange colour.

2. Haar
Living in Edinburgh for a decade, one became used to the haar – the cold mist that rolled in across the city from the North Sea. Haar – a particularly lovely Scots word – really captures the quality of Scottish mist: light and chill and softly hanging. Fog and mist lend the highlands their characteristic atmosphere, and make the rich colours of the landscape seem even more brilliant by contrast. Haar is a natural fleece shade, a light and airy silver-grey with lovely variegated tones.

3. Islay
The Western Isles abound with beautiful beaches, and to my mind there are few more beautiful than those on the isle of Islay. Here, enjoying a sunny day above Machir bay, the waves beat across the white sand, and the sea is a glorious shade of blue-green. Buachaille’s evocative and deeply saturated blue-green shade is named for Islay, the queen of the Hebrides.

4. Yaffle
The green woodpecker is perhaps more often heard than seen due to its call which lends the bird its popular name of “yaffle.” We’ve named one of our yarn shades yaffle after the plumage of this beautiful creature: a luminous and saturated mid-green with yellow tones.

5. Squall
A deep, dark, variegated grey is perhaps the most characteristic colour of the highlands. When I’m out walking close to home, and the sky turns this colour in the west, I can time the minutes to the moment I’m likely to get a soaking. Twenty minutes and counting. . . better get moving. Squall is a natural fleece shade, named for our stormy highland skies.

6. Ptarmigan
The ptarmigan is a kind of small grouse. It is a hardy highland bird, that has adapted to, and thrives in some truly challenging mountain conditions. In the summer, the ptarmigan’s brown and buff plumage camouflages it against the rocky landscape, and in the winter, it changes colour to a lovely creamy white, in order to blend in perfectly against the snow. With its beady eyes and fluffy feet, this bird is a real highland character, and Buachaille in its un-dyed, natural state is named for the ptarmigan in its winter plumage.

7. Between Weathers
Between weathers is an expression often heard in Scotland that refers to more than meteorology. Literally, it is that patch of blessed blue sky between one wet and windy front and another. But it also suggests the desire to seize the moment quickly, and to get on with things, when the day is fine. The weather must and will turn, so make haste, and make the most of that blue sky while it lasts. Between weathers is a rich mid-blue, the colour of the sky above Beinn Dorain at the top of the photograph above.

So there’s the palette: Highland Coo; Haar; Islay; Yaffle; Squall; Ptarmigan and Between Weathers. Developing these shades has been one of the most interesting (and heart-in-the-mouth) things I’ve ever done. I have found the process fascinating and am incredibly pleased with the results! In the next post I’ll tell you more about that process . . . and should also be able to show you some actual yarn

For those of you who have questions about the yarn, or who are having trouble pronouncing Buachaille, I’ve created a new FAQ page, which includes lots of sound files to help you!

meet the man who helped me make my yarn

Thankyou for your comments on the last post. When I settled on this new venture, I felt it was important to be able to show you some of the usually hidden processes behind yarn production, so I’m glad you are finding it interesting! I thought you might also like to know a little bit more about the decisions behind my yarn’s development, and who I chose to work with.


(Tom’s kilt hose show off some of Buachaille’s characteristics: the yarn is smooth, yet springy; durable yet soft, and with great stitch definition)

How exactly does one go about developing a yarn? I know what kinds of yarns I like, and what I love to knit with, as I’m sure every knitter does. As you will no doubt be aware, I like sheepy, characterful yarns best of all, and I have some knowledge of how different preparation and spinning techniques can get the best out of different fleece types and wool. I also like to work with a product whose origins I can trace. Knowing what one likes is one thing, but manufacturing it is quite another. This was a big step, and I knew I wanted to work on developing my yarn with someone I liked and trusted. I also knew that person was Adam Curtis. I met Adam and his family through our Shetland connections. They know more about wool than anyone I know, and Adam has a particular talent for developing beautiful and interesting wool products: things that really showcase the best that British wool can be. His family were kind enough to invite me to represent hand knitting and design at this event a few years ago, and, from our opposite ends of the industry, we’ve always regarded each other with mutual respect. In the UK, most raw wool is sold at auction through the British Wool Marketing Board, and the vast majority of it is purchased by merchants such as Curtis Wools. They are a well-regarded Yorkshire company whose commitment to wool is deep and long-standing, and whose resources and reach are pretty unparalleled. I knew they could find exactly the wool I wanted, and help me to develop it into an interesting new yarn.

Adam 03 So here’s what happened when I asked Adam to make some yarn for me.

KD: What were your initial thoughts when I approached you?
AC: I was delighted when you approached my father and I to develop a speciality yarn. Creating unique yarns for customers is one of the challenges we genuinely enjoy and pride ourselves on. With the enormous reserves of British and foreign wools held by Curtis Wool there are few requests that we can’t cater for.

KD: But even so, I came to you with quite a long list of things I wanted the yarn to be! What were your priorities?
AC: We knew you wanted a thoroughly British yarn with traceable links to Scotland, and the Scottish highlands. And we knew you wanted the yarn to be light and lofty. So we were looking for Scottish-origin fleeces with a natural crimp that would add loft, and which would spin up to create a classic hand that would just feel right to the knitter.

KD: How did you go about selecting the wool?
AC: We decided that a combination of wools from different breeds would be necessary to arrive at the perfect match for your requirements. We then sourced and chose a selection of the finest hand-sorted Scottish origin fleeces. These were then scoured at Haworth, combined together, and combed to create the perfect top. Combing your wool allowed us to remove any coarse fibres and noils [short fibres] in the fleece, and to create a blended top with maximum smoothness and softness. Combing and blending the wool really made it sing! As you know, the blend we’ve created for Buachaille is unique and exclusive to you. I was very pleased with the result.

(Buachaille – natural combed top)

KD: so what happened then?
AC: Then I sent you a sample of the combed top for approval. You were just as pleased with it as I was, which was great! With the blended constituency of the combed top in place, we were then able to begin developing the two other natural shades you wanted to complement your dyed palette.

KD: Yes! As you know, Adam, I’m very pernickety about colours. . .
AC: Well, like all designers you knew what you wanted, and we had to get those natural shades just right.

(Buachaille – natural silver-grey combed top)

KD: I just love the two other natural shades you’ve created – sheepy fleece colours really are my all-time favourites.
AC: Yes – and they sit really well with the dyed shades you created too. So after your tops were combed at Haworth, we had them worsted spun – a spinning technique which completely suits the wool type and its preparation – and we were then able to arrange for you to see your yarn being dyed. I think you are going to talk about that later?

KD: Yes, I certainly took lots of pictures that day! I am very happy with the yarn, and I know you are just as excited about Buachaille as I am!
AC: Yes indeed -its one of my favourite yarns and I’m really pleased with what we’ve achieved. I think we’ve managed to create a yarn that combines all of your requirements, and perhaps added a little bit more as well. Best of all, its a yarn with a heritage that can be traced from the hills and mountains of Scotland to the textile powerhouse that still exists in Yorkshire. Its a thoroughly British product, made entirely in the UK and inspired by some of the worlds most beautiful mountains, Buachaille Etive Mor and Beag!

KD: Thanks, Adam!

(Tom and Adam talk wool at Haworth Scouring)

We’ve designed seven distinctly Scottish shades for Buachaille, including four dyed shades to complement the three naturals that Adam created. In the next post I will talk a little about the inspiration behind each shade.

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at Haworth Scouring

As we have discovered over the past few months, there is an awful lot to think about when designing and manufacturing a new yarn for hand knitting! There are many stages to consider, and many decisions to be made. It occurred to me that one of the processes that’s least visible to hand knitters is how the wool they work with actually gets clean. As anyone who has handled a fleece will know, cleaning raw wool is not particularly glamorous but it is certainly essential. I thought you might like to see a little about these early stages of our yarn’s manufacture.


The raw wool for our yarn was cleaned, its fibres blended, and the blended fibres processed into lovely combed tops here at Haworth Scouring. This large plant is based in Bradford, a short drive from where both Tom and I were born and grew up. The textile industries in Yorkshire and Lancashire have seen an awful lot of changes in the past 50 years, but Bradford is still the beating heart of the British wool industry.


This is a large operation, capable of scouring a million kilos of wool per week. That’s right – a million kilos. Our first order seemed enormous to us, but it is merely a tiny proportion of what Haworth Scouring can process here in a single day.


Much of the raw wool processed here is British, but Haworth Scouring processes wool from other countries too – these are Norwegian bales in the photograph above.


Customers have different requirements, and some of the wool arrives in a very raw state, needing preparation and grading by specialised wool sorters.


Wool grading is a really important, and sadly declining skill. (If you would like to learn more about wool sorting and grading and its importance to the wool industry, I recommend you visit Jamieson and Smith and meet Shetland’s top wool man, Oliver Henry)

The scouring process is designed to remove dirt and other impurities from the raw wool, along with suint (sheep sweat) and lanolin. At Haworth, its really important that this process is as environmentally friendly as it is efficient (more of this later). Here is some wool, prepared and ready for scouring.


The wool is put through a series of washes and rinses at several different temperatures.


It is repeatedly and carefully cleaned with swinging rakes. After every wash you can see the wool becoming gradually cleaner and cleaner . . .


. . . with the wool’s heat and moisture content being monitored at every stage.


After this, the wool goes through a gigantic metal detector. This is one of those processing factors that’s completely obvious when you think of it – sheep often pick up bits of wire in their fleece – but which I’d never previously considered. You don’t want bits of metal in your yarn, and you certainly don’t want it in the machinery that’s making your yarn. The work of the metal detecting machine is reinforced by this lovely chap, who double-checks there’s nothing non-woolly in the wool.


After washing, the wool is dried. As part of the drying process, the fibres are loosened and mixed, and blended together.


Just check out what’s going on in that huge machine!

After drying, the wool is beautifully clean. What a transformation!


For some of the wool that comes through Haworth’s doors, this is almost the end of the story. It is compressed and packaged into huge bales and prepared for the next stage in its journey elsewhere.



These large bales are compressed by an amazing machine, and, as you can see contain over 350kg of wool. It was at this point that the sheer scale of what goes on here started to astound me. This really is a whole lot of wool!


A significant recent investment in new jobs and machinery means that wool that’s not sent away at this stage can be expertly processed at Haworth into tops. There’s now a state-of-the-art combing operation here, and this is where our wool first started to resemble something like yarn. Our unique blend of fine Scottish fibres was developed and created on this machine!


The wool fibres are relatively blobby and clumpy at this stage – the worsted processing practised here, and which we felt was important to get the best out of our wool, enables the fibres to be opened up, smoothed out, and carefully combed to lie parallel to one another. When I observed the several different stages of combing, gilling and drafting, I was very intensely struck by the technological complexity of these machines, their skilled operatives, and the sheer magic both perform.


From raw wool, to lovely combed top!


Here is what is known as a bump top, at the end of the combing process. . .


And here are lots of bump tops, ready to go.


I mentioned previously that environment is as important as efficiency here. The whole purpose of wool scouring is to remove grease and impurities from fleeces: this is a relatively high-impact process, that creates a lot of waste, and Haworth’s verifiable green credentials were certainly important to us when making early decisions about our yarn’s processing and manufacture. The plant’s water monitoring is extremely careful and completely transparent, and we were impressed that very little in this process actually goes to waste at all! Lanolin removed here is sold to the cosmetics and vitamin industries, while other by-products are used as feed for shrimp and prawn farming (who knew?!)


One reason Haworth’s environmental credentials are so laudable is because it has ENco on site – an environmental testing company that does important work with the textile and farming industries. As well as ensuring the wool products produced at Haworth comply with strict environmental standards, ENco also acts as a consultant, testing many different kinds of finished textiles to check for levels of mothproofing agents and other chemicals. Carpets, military uniforms, knitting yarn, and the fabrics used in high-end fashion houses all receive environmental testing and certification here. If you needed to check whether a certain yarn contained 20% or 30% nylon; or discover for how long a particular moth-proofing agent would protect a certain kind of fabric; or wanted to ensure that the animals providing a batch of fleeces had not been treated with particularly harmful pesticides in their sheep dip, then ENco could find out for you. It was absolutely fascinating chatting to Mike and his team, and learning about their work.


Thankyou to everyone at Haworth Scouring, Curtis Wool Direct, and ENco Global Testing for their time and generosity! We’ve learnt an awful lot, and feel very inspired by our visits!

(Tom surveys the wool mountain with anticipation)

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Buachaille – coming soon!


We are getting very excited here, as we are anticipating a large woolly delivery, and it will soon be time to announce the launch of our new yarn. I thought it was time to tell you a little more about it.

(my favourite sheep, from Colours of Shetland)

I am a great advocate for using local materials, and nowhere more so than where wool is concerned. Sheep, and the human work around them, are an incredibly important part of the structure and character of the British landscape and I find it very sad that so many yarns made and sold in Britain in general, – and Scotland in particular – are not raised here, from our native sheep. With some notable exceptions, much of the wool described as “Scottish” has little or nothing at all to do with the many sheep raised in this landscape by hard-working farmers and crofters. So I wanted to create a yarn that was truly raised in Scotland – a yarn that was part of the work of this landscape – but I also wanted to make a yarn that defied long-standing assumptions about what Scottish wool was or could be. I am so tired of hearing that British and / or Scottish wool is coarse or scratchy. Scottish sheep produce wonderful, wearable fibres that, when properly sorted and graded, spin up into truly beautiful yarns. Over the years I have knit with many such yarns from small local wool producers. You might describe these yarns as lofty or springy or smooth or soft – you might describe them as interesting – but you would never describe them as coarse. I wanted my wool to reflect the characteristics of the interesting sheepy yarns I loved and admired. My yarn would be woolly and springy and durable – speaking of this land, and of the animals that grew it – but it would also be smooth and light and soft enough to wear next to the skin. These were my requirements, and, after many months of development and hard work, I am very happy to say, that this is what we’ve got in the finished product!

Selecting the finest fibres of some distinctive Scottish sheep breeds, we’ve created a completely unique yarn that you won’t find anywhere else. The yarn blends wool fibre that hails from as far north as you can travel in Scotland, and from as far south, too.

The yarn is called Buachaille. The first thing you are going to want to know is how to pronounce it.

(Thankyou, Anna)

Am Buchaille (the herdsman), is the Gaelic name associated with two mountains – Buachaille Etive Mòr, (great herdsman of Glen Etive), and Buachaille Etive Beag (little herdsman of Glen Etive). These mountains are well known to anyone who has followed the West Highland Way, or who likes Scottish mountain walking, and I’d go so far to say that Buachaille Etive Mor is among the most familiar and iconic of all Scottish munros.

Me and both Buachailles in 2013

Me knitting a sock on the summit of Buachaille Etive Mòr, in 2007!

These are mountains for which Tom and I hold an affection of long-standing. They are rugged and rocky and elemental . . . yet they are also breathtakingly elegant and sublime. They are somehow what one pictures when one conjures up the idea of a Scottish highland mountain. This – and their relative accessibility – explains why they are so frequently photographed. I think you’ll immediately be able to see the relationship between familiar images of Buachaille Etive Mòr, and Beag . . .


and the logo we designed for the yarn!


Suggested by this one word – Buachaille – are a series of connections between humans, animals, and landscapes – all of the things, in other words, that we wanted the yarn to capture and express.


As you can see from the tag, Buachaille has been “raised in Scotland” and “made in Yorkshire.” As well as being grown by a host of Scottish sheep and farmers, and designed by us, Buachaille has involved lots of hard work from the best folk we know in the UK wool industry – these folk are in Yorkshire. Its important to me that the wool for Buachaille originated in Scotland, and its equally important that several skilled Yorkshire processors and manufacturers have been responsible for making it into yarn. As time goes on, I will tell you much more about the different processes involved in making Buachaille. . .

If you would like to be the first to know about our plans for the yarn, when it launches, and when you can get your hands on it, I have set up a newsletter. So if you’d like further information about Buachaille, please sign up here.

Whernside, cheese, and wool


We spent a couple of days in North Yorkshire, and took a walk up Whernside – one of the county’s ‘three peaks’. With its limestone pavement, familiar moorland flora and Victorian infrastructure, this is a landscape of which I’m very fond, and in which I love to walk. The Ribblehead Viaduct is such a spectacular piece of engineering, and we particularly enjoyed seeing the little aquaducts around which, higher up the moor, water had been diverted to accommodate the direction of the Settle-Carlisle railway line. After 8 miles and a very blustery summit, we treated ourselves to a hearty ploughman’s lunch in the always-welcoming Station Inn . . . this lunch inspired some discussion between Tom and I about the constituency and origin of the ‘traditional’ ploughman’s. Google revealed the intriguing, but perhaps unsurprising information that this ‘traditional’ pub fayre was in fact a 1956 invention of the Cheese Bureau, the same folk behind the 1970s cheese recipe books that I have on my bookshelf, and the coiner of immortal advertising slogans such as “great minds think cheese.”

(Cheese curry?!)

Meanwhile, wedding preparations, such as they are, continue. Tom has made the cake, we have our rings, and I have knitted my thing (it is a cardigan, and I am very pleased with it)! I cast on a pair of kilt hose for Tom and am now steadily working away on those. The cardigan and the hose are particularly lovely and exciting to me as they are being knitted in our wool. That is to say that yes – we are making yarn. The yarn is 100% wool: it has been raised in Scotland, and has been expertly processed in Yorkshire (one of the reasons why we have been visiting that county so often of late). And the first things knitted from the yarn will be worn on our wedding day! I have been keeping the wool plans under wraps for many months and soon, at last, I will be able to say more about them. But for now I’d better get back to knitting those hose. . .