Good morning! Here is today’s yoke from my new book – Bluebells. In the 1950s and 60s, there was a particularly popular style of sweater featuring a rather narrow circular yoke. In such garments, the sleeve and body shaping tended to be a little more neatly tailored than other circular yokes, and the colourwork motifs were placed high up on the neck, necklace style. I wanted to include one of these necklace-yoked sweaters in the collection, and this is what I came up with.
There’s really no need of much explanation for where I drew inspiration for the design.
One of my favourite wild flowers, bluebells transform the woods and glens with their luminous glow throughout the month of May and are one of the undoubted highlights of a Scottish spring.
Bluebell flowers seem particularly lovely to me when they flip upwards just before they turn to seed, and this is how I represented them in my chart.
Bluebells encircle the neck of this garment like a garland, and the floral motifs are echoed in colourwork bands at the hem and cuffs.
Jamieson and Smith shade FC37 really is the perfect bluebell blue, and the chart also features two of my all-time favourite greens – FC11 and FC24. The finished sweater is neat, simple, and easy to wear – even on a very breezy day like the one on which we took these photographs.
These photographs were taken in late summer, above the Blane Valley, a place which in the spring is awash with bluebells. I knit this sweater during bluebell season, and loved to see how bluebells took over the woodland and darker north-facing slopes of the valley, bringing them to life with their luminous glow.
Here is another yoke — this one’s name is self-explanatory — Foxglove.
One of the things I’ve really enjoyed about my first year of rural living has been the wildflowers that grow around my home. Just a few yards from my front door are a wide variety of environments from heathland, bog and lochside to deciduous woodland and roadside hedgerows. Walking through this landscape every day, I have found it fascinating to observe the wildflowers emerging, coming into bloom, taking over the landscape, and falling away to seed. Back in the spring, I began keeping a record of the wildflowers I spotted on my daily walks (mostly within a 4 mile radius of my home) by recording a photograph on Instagram. (If you are interested, you can find that series of pictures under the hashtag #todayswildflower). I found that the simple act of taking a photograph of a plant, and later looking it up in my reference guides meant that, by the end of the summer, I had learned a reasonable amount about local wildflower habitats, the time of their flowering, their relationship to other plant varieties and so on. I discovered some wonderful plants I’d never seen or noticed before – grass of Parnassus, scarlet pimpernell, butterwort. I also learned to look anew at flowers I thought I knew reasonably well – such as foxgloves.
I love their pink spires, their sheeny blooms, their downy leaves, their beautiful variegated interiors, the surprising deep beetroot purple of their stems. I knew I wanted to knit the foxgloves up into a yoke, and really enjoyed developing my chart for this design.
Foxglove is the only design in the collection to use three colours in one row. (I have a neat trick for this, borrowed from Elizabeth Zimmermann, which the pattern describes in full).
This yoke is in the Shetland style. It is knit in the round and steeked; the garment has some shaping after the arms are joined, and the yoke pattern itself is relatively shallow, and placed high up on the neck. That said, in my experience the necklines of many Shetland yokes have a tendency to ride rather too high – this one shouldn’t, and is intended to sit quite neatly at the throat.
As you can see, by the time I’d actually managed to knit my sample, summer was turning into autumn, and it was no longer foxglove season.
But we managed to take these photographs among some Rose Bay Willowherb which were going to seed, and which seemed to provide an appropriate local wildflower backdrop
The yarn I’ve used is, of course, Jamieson and Smith jumperweight – the perfect yarn for a Shetland-style yoke.
I have another yoke in this collection which was also inspired by a Scottish wildflower. More about that one tomorrow.
1: Bruce loves the beach
8. Fine weather for walking
9, 10: The first time in four and half years that, while away, I have not been bothered in one way or another by my health or my physical limitations. Am I really so much better? Or have I merely finally adapted to my “new normal”? Either way, it felt pretty good to climb up behind that crag, to see that view.
One of my great pleasures at the moment is observing, photographing and finding out more about, the wildflowers where I live. I’m surrounded by lots of different kinds of environments – hedgerow, water, woodland, heath, mountain – and these are full of so many wonderful flora, some of which I had never noticed or knew the names of until recently. Just opposite our house is a path that forms part of the West Highland Way. This path is lined with an old wall, and growing around and through this wall, some foxgloves have recently been putting on a spectacular show. I decided I had to take some photographs of them yesterday.
I think I am starting to understand the allure of botanical drawing. Sadly, I cannot draw for toffee, but I am certainly enjoying capturing the detail of my local flora with my camera.
In other news:
I had great fun reading the animal names in the comments to the previous post! After excluding those who couldn’t enter, the randomly selected winners of the Toft party tickets are Pootle the cat and Iris the hawk . . . ahem . . . I mean Lucy and Janine. Congratulations! Could you please email me at firstname.lastname@example.org to arrange your prize?
I am currently working on a bluebell-inspired design for my forthcoming YOKES collection. I am certainly not short of inspiration, as you currently can’t move for bluebells round here. Discovering these lovely flowers blooming in the woods and hills around me this Spring has really been an unexpected delight. On every walk, I seem to discover a new patch. . .
. . . around the Carbeth huts . . .
. . .through the hedgerow at the top of my garden . . .
. . .across the loch . . .
. . . and along the North-facing slopes of the Blane valley.
All the woodland paths are illuminated with their hazey-blue glow
And in dappled sunlight, they seem lit from within.
Clearly I have not had my fill of bluebells, as yesterday we visited Glen Finglas in search of more. (I drove the van over Duke’s Pass, which was excellent steering experience)
I can completely understand why this glen is listed as one of the best bluebell woods in Scotland.
This is a deciduous wood, and the bluebells bloom at the same time that the oaks are coming into leaf. The contrast between the fresh, pale green of the oak leaves and the deep bluey-purple of the bluebells rising from the woodland floor is really quite spectacular.
In clearings uninterrupted by trees, the bluebells intermingle with white stitchwort and take on a lovely meadow-like appearance.
I had plenty of time to study the Glen Finglas bluebells with my camera.
Now I can get back to my knitted bluebells!
It is a lovely time of year, and, as the weather starts to change I am really appreciating our new situation. Our house is in the middle of the photo above – one of five properties on a small steading, situated at about 250m above sea level. In front of the steading, to the South, the land dips away to a small lochan. To the North, East and West, we are surrounded by hills and woods. After living in a city, when one steps outside, the space here sometimes feels immense to me, but because of our location, there is also the interesting sensation of being cradled in the landscape, a dip in the earth sheltered by a canopy of sky. Yesterday I took a walk around the loch with Bruce, and felt this very distinctly. The arc of this rainbow shifted round the landscape with me, curving over the steading and seeming to somehow illuminate it.
On my daily walks I see the landscape slowly coming back to life. Birds sing in the early hours, daffodils have taken the place of the snowdrops, and last week I saw the first caterpillars and frogs of the year.
Golden flowers are appearing on the gorse, the ultimate sign of a Scottish spring for me.
The Spring weather has almost made up for the fact that I spent last week at home, with a poorly Bruce, rather than in Shetland, where I was, in fact, supposed to be.
Worry not, friends of Bruce: he is doing fine. The cone is a wee bit tiresome for everyone, but his snout is healing, and we will be back at the vets this afternoon.
The Spring light has also given me a chance to photograph the steeked design I mentioned in my last post. It is a garment for a man, and will be released as part of a new collaboration with my good friend and colleague Jen Arnall-Culliford. I’m very much looking forward to telling you all about it next week! It is a time for new releases all round, in fact, as various things are due to arrive next Monday which I’ve been keeping under my hat for some months, but am very keen to show you. (Apologies for all of the mystery, but soon all will be revealed.)
Right, the sun has come out and it is time for another walk with Bruce. Enjoy your Monday, everyone!
It is a while since I’ve known a spell of weather like it.
The verges have bloomed into wildflower meadows.
Everything seems sharper, brighter, a dappled world of light and shade.
The evening air is soft and fragrant.
Folk stroll about, bare-armed, leisurely.
Inside, the new rooms are cool and clean and very pretty.
Bruce prefers the shade.
We are looking forward to a quiet weekend, with no workmen, and no dust. It will feel like a tremendous luxury to simply cook and enjoy a meal together in the kitchen. While the relocation stress continues, things are out of our hands for a wee while – our only worry at the moment is Jesus – who has not put in an appearance for 11 days. Jesus is an elusive creature, and he has been more than ordinarily elusive of late while the workmen have been here. Still, 11 days is a long time, even for a self-sufficent and resourceful feline like him. Come back, Jesus.