We are getting very excited here, as we are anticipating a large woolly delivery, and it will soon be time to announce the launch of our new yarn. I thought it was time to tell you a little more about it.
(my favourite sheep, from Colours of Shetland)
I am a great advocate for using local materials, and nowhere more so than where wool is concerned. Sheep, and the human work around them, are an incredibly important part of the structure and character of the British landscape and I find it very sad that so many yarns made and sold in Britain in general, – and Scotland in particular – are not raised here, from our native sheep. With some notable exceptions, much of the wool described as “Scottish” has little or nothing at all to do with the many sheep raised in this landscape by hard-working farmers and crofters. So I wanted to create a yarn that was truly raised in Scotland – a yarn that was part of the work of this landscape – but I also wanted to make a yarn that defied long-standing assumptions about what Scottish wool was or could be. I am so tired of hearing that British and / or Scottish wool is coarse or scratchy. Scottish sheep produce wonderful, wearable fibres that, when properly sorted and graded, spin up into truly beautiful yarns. Over the years I have knit with many such yarns from small local wool producers. You might describe these yarns as lofty or springy or smooth or soft – you might describe them as interesting – but you would never describe them as coarse. I wanted my wool to reflect the characteristics of the interesting sheepy yarns I loved and admired. My yarn would be woolly and springy and durable – speaking of this land, and of the animals that grew it – but it would also be smooth and light and soft enough to wear next to the skin. These were my requirements, and, after many months of development and hard work, I am very happy to say, that this is what we’ve got in the finished product!
Selecting the finest fibres of some distinctive Scottish sheep breeds, we’ve created a completely unique yarn that you won’t find anywhere else. The yarn blends wool fibre that hails from as far north as you can travel in Scotland, and from as far south, too.
The yarn is called Buachaille. The first thing you are going to want to know is how to pronounce it.
Am Buchaille (the herdsman), is the Gaelic name associated with two mountains – Buachaille Etive Mòr, (great herdsman of Glen Etive), and Buachaille Etive Beag (little herdsman of Glen Etive). These mountains are well known to anyone who has followed the West Highland Way, or who likes Scottish mountain walking, and I’d go so far to say that Buachaille Etive Mor is among the most familiar and iconic of all Scottish munros.
These are mountains for which Tom and I hold an affection of long-standing. They are rugged and rocky and elemental . . . yet they are also breathtakingly elegant and sublime. They are somehow what one pictures when one conjures up the idea of a Scottish highland mountain. This – and their relative accessibility – explains why they are so frequently photographed. I think you’ll immediately be able to see the relationship between familiar images of Buachaille Etive Mòr, and Beag . . .
and the logo we designed for the yarn!
Suggested by this one word – Buachaille – are a series of connections between humans, animals, and landscapes – all of the things, in other words, that we wanted the yarn to capture and express.
As you can see from the tag, Buachaille has been “raised in Scotland” and “made in Yorkshire.” As well as being grown by a host of Scottish sheep and farmers, and designed by us, Buachaille has involved lots of hard work from the best folk we know in the UK wool industry – these folk are in Yorkshire. Its important to me that the wool for Buachaille originated in Scotland, and its equally important that several skilled Yorkshire processors and manufacturers have been responsible for making it into yarn. As time goes on, I will tell you much more about the different processes involved in making Buachaille. . .
If you would like to be the first to know about our plans for the yarn, when it launches, and when you can get your hands on it, I have set up a newsletter. So if you’d like further information about Buachaille, please sign up here.
Hooray! Hooray! Wowligan is here today!
Apparently owl cardigans are much easier to dress a wee one in than owl jumpers and I’ve been asked about the possibility of such a pattern many times. . . one can never have too many owls, so I decided to make it. The Wowligan is basically a mini Owligan, knit up in a sport-weight yarn and carefully resized to baby and kid proportions.
Like the Owligan, Wowligan uses an all-in-one piece circular yoke construction and is knit from the bottom-up. The pattern includes a choice of charted or written instructions for working the cables, and comes with the option of knitting the sleeves flat, or in the round. It is a great pattern for any beginner knitter.
The pattern comes in 8 sizes, from 17 ins to 25 ins, and uses Debbie Bliss Baby Cashmerino, which is a great yarn for kids garments. In the pattern you’ll also find a schematic and a very detailed sizing table, together with instructions for selecting and knitting the right size.
This sweet and cheery wee soul is Sofia, who is wearing her Wowligan in the fourth size. She was photographed by the very talented Fergus Ford. I’ve recently been working with Ferg on another exciting and, ahem, exceptionally cute project – which I should be able to tell you about next week.
Few things make me happier than seeing what amazing knitters do with my patterns. I wanted to give a shout out to a few of these knitters, and some fabulous finished objects that have appeared in recent months. Above is Tanya, wearing her wonderful Cockatoo Brae. You’ll notice that Tanya has retained the colours of the original sample, but has changed the ‘star’ and border motif. The curves and curls of the star that Tanya selected make a significant difference to the overall look of the yoke, and I really like the effect (if you are thinking of modifying the yoke in a similar way, simply select a star of the same stitch and row count in a book of Fairisle motifs, such as those by Mary Jane Mucklestone or Sheila McGregor). At 6’1 Tanya is also enviably tall – somewhat taller than the ‘average’ proportions on which I base my pattern sizing – so found she had to make some alterations the increase / decrease rate on both sleeves and body, adding a few inches of length to make her sweater fit her well (remember to factor in extra yarn, as Tanya did, if you are doing the same). I think her cardigan looks fantastic!
It has been particularly nice to see a few Machrihanish vests being knitted up recently – Bill looks marvellous in his Machrihanish, which was knitted for him by Stacy. Stacy omitted the pattern’s waist shaping, and also added several stitches to the steeks at both underarm and neck, which she found helpful in giving her “a greater margin of error”. Bill recently wore his Machrihanish when watching Imitation Game and Stacy “loved seeing all the men in the movie wear vests of similar design.”
Kim was very industrious and whipped up not one but two Machrihanish vests before Christmas – for Hamish (left) and Lachlan (right). To make the pattern in Lachlan’s size, Kim examined the cast on stitch count and dimensions of the 7-8 year old size of Susan Crawford’s Wartime Farm Sleeveless Pullover , and adjusted the pattern accordingly. Like Stacy, Kim also added a few stitches to the steeks, and reinforced them with her sewing machine: “crochet and I don’t always get along”. I absolutely love this festive picture of Hamish and Lachlan in their jolly vests!
In the entire-family-in-matching-knitwear-cuteness stakes, I don’t think you can beat Eimear’s Epistropheids!
After knitting hats for herself and her man, Eimear scaled down the pattern for her wee girl “I think I cast on 95 stitches and increased to 105″ she says.
Karen enjoyed working the cabling “the pattern was easy to memorise and, in the ochre shade I chose, gave the appearance to me of abundant hair plaits of which I have always been envious.” She also liked the pattern’s finishing details, “an i-cord bind off which I had never done before.” Karen particularly appreciated knitting Westering Home through the chilly winter months: “it kept me warm during January as I sat beneath it as I knitted”, and she loves the finished garment “I have even had admiring strangers discussing it with me on buses and in a pub!” I think the ochre shade of Artesano Aran Karen chose is so rich and warm – a perfect match for the cable pattern.
I love pretty much everything Georgie knits, and had to show you this lovely photograph of her recently-completed Owligan. “I’ve hardly taken it off since I knitted it,” says Georgie, “It really is warm enough to use instead of a coat when nipping here and there. I didn’t make any mods, just knit the body a little longer (hence why I ran out of yarn for the buttonbands), also didn’t add button eyes – I love it how it is.”
I was very struck by the lovely wintery look of Clara’s Warriston
Clara made her sweater a little more tunic than jumper-like, going up a size at the hips and adding a few inches of length.
Seeing Clara’s Warriston really makes me want to make one in white!
I always find it interesting how far changing shades can completely alter the feel of a design – I was really struck by how Beatriz’s use of Kauni as the contrast yarn totally altered the effect of the colourwork of her Epistrophy. I think the way the graded colours work their way through the diamond motifs up the yoke is very subtle, and incredibly beautiful.
Here is Kristie, in her beautiful Bluebells (which I confess is one of my personal favourites from my Yokes collection) Kristie added some length to both sleeves and body, and omitted some of the waist shaping to make a slightly less fitted garment.
Kristie says “my only caution would be if you are knitting this sweater in low light be careful not to confuse the MC blue with the CC blue. I learned the hard way!” Kristie has written about her experience of knitting this sweater here.
Maybe it is the time of year or something – everything in the landscape seems so scoured out and colourless – but I find myself on a massive orange kick. And what better orange could there possibly be than this?
The yarn is Bulky lopi in shade 1418 – “carrot tweed”. Such a rich, deep firey shade! So carroty, so very, very . . . orange! The Icelandic wool so thick, so warm! The tweedy neps so nubbly and so pleasing! I just had to knit myself another Owligan.
I knit this Owligan a little shorter – around 14 inches to the underarm. Making the first size, I used just under seven skeins of yarn. Because of the tweedy nature of the lopi, the finished garment has a rather rustic feel – which is quite different to my other versions of this cardigan.
My orange Owligan is the ultimate antitdote to a grey February day and I absolutely love it.
It is Ravelled here.
One of the most frequent requests I receive by email is to help knitters ‘translate’ my owls pullover design into a cardigan.
This is not as straightforward as it sounds. The owls pullover was designed to be a tightly-fitting garment, with negative ease and back shaping (which would sit rather oddly as a cardigan). The pullover is worked in the round (while a cardigan is generally worked back and forth) and this has implications for the way the owl cables are charted and rendered. Additionally, the owl cables are not centred around a front opening (as they would need to be to accommodate the button bands).
So I have designed the Owligan.
This is a very straightforward pattern, knit up in super-bulky yarn at 2.5 sts to the inch. The pattern is ideal for a beginner knitter, and comes with a number of different options to accommodate different skills and requirements. The sleeves can be knit flat, or in the round; the owl cables can be worked from a chart or from written instructions; and the body can be worked to two different lengths. The short length is shown above (worked in New Lanark Chunky with the yarn held double) and the longer length is shown below (worked in TOFT Ulysses chunky, which really is a super super bulky yarn!).
Unlike the owls pullover, the Owligan is designed to be worn with quite a bit of positive ease. I’m wearing both the long and short versions of the garment with 6 ins positive ease in these photographs. The pattern is graded in seven sizes, to fit bust measurements of 30 to 55 ins.
The two yarns I’ve used for these samples are very different. TOFT Ulysses chunky is a smooth, worsted spun yarn which is soft both to knit and wear. It is a beautiful, special and very luxurious yarn – and its price reflects this. New Lanark chunky is a woollen spun yarn with a much more rustic feel. While it is certainly not as soft to knit as the TOFT, the yarn relaxes, expands and blooms considerably after washing (so be sure to always wash your swatch!). Its a great everyday yarn that’s very reasonably priced, and knits up into a wonderfully woolly and robust garment.
If you have previously purchased the owls or owlet patterns, the Owligan pattern can be yours for half price. Simply put the Owligan in your Ravelry basket, then enter the code OWL50% (for owls pattern) or OWLET50% (for owlet pattern) and the discount will be applied when you checkout. (Note: if you received either pattern as a gift or freebie, I’m afraid there is no discount as there’s no previous purchase). But if you have previously purchased one of the aforementioned patterns, however long ago that was, the discount will be applied, and the Owligan will be half price.
The Owligan is not only a super-speedy knit, but is also wonderfully wearable – particularly in the current weather! Mel and I have become a little obsessed with knitting Owligan samples – so you might see another couple, worked up in different yarns, popping up here over the next few weeks. . .
Thanks so much for your comments on the previous post, which mean an awful lot to me. I’ve a wee bit more to say about my recovery, and will do so in the next post.
Skein Queen has also been very busy preparing yarn bundles for these mittens. The yarn – Voluptuous Skinny – is a lovely plump, woolly 4 ply. It is spun up by John Arbon, and composed of 80% Exmoor Blue and 20% organic merino. The yarn is just ideal for a pair of colourwork mittens – the stranding creates a fabric that’s dense and warm, soft and springy. The pattern includes instructions for two sizes of mitten, small and large, and each Skein Queen yarn bundle will include more than enough yarn to knit the largest size.
I’ve also put together a time-limited promotion for those who want to make Jazz Hands to match their Epistropheids. If you purchase both patterns on Ravelry, using the code HEIDANDHANDS you will receive 40% off your total – that’s both patterns for £3.95. Please be sure to add both patterns to your Ravelry cart (using the ‘add to cart’ option) before entering the code or the system won’t apply the discount. Previous Epistropheid purchases should also count toward the promotion – if you encounter any problems please do let me know.
I’ve been enjoying the snowy weather and have been wearing my Jazz Hands pretty constantly since the cold snap started – my hands have been toasty warm!
I’ve had cause to celebrate Mel’s knitting on more than one occasion here. . .
Some of you may recognise Mel as a model from Yokes: Mel has many strings to her supremely talented bow, and I’m lucky enough that she works with me on projects such as Yokes as a sample knitter, design consultant, and all-round offerer of sage advice.
My principal aim when pattern-writing is always clarity, and Mel’s suggestions often help me to achieve that. Keith Moon is a simple sweater with a few nifty details, and Mel’s advice after knitting her version really helped me to hone the instructions for finishing the collar.
Mel and I have very different colour insticts – though we rarely gravitate towards the same shades, her choices always appeal to me, and often make me think about colour in a different way. Her teal-y green, coal black and silver grey Keith Moon is completely different to my nautical original, and it is totally gorgeous.
Mel also recently knitted an Epistrophy in exactly the same yarn (tasty Toft DK), but the reverse colourway to the original. Again, it looks very different to my sample, and it is just so neat and lovely I had to show you.
I don’t mind admitting this is one of my all-time favourites of all the sweaters I’ve designed and knit and -ye gods – I want a dark grey Epistrophy now! Indeed I might have tried to sneak off with it after we took these photographs this afternoon, but Mel is wise to my ways. . .