One of the most frequent requests I receive by email is to help knitters ‘translate’ my owls pullover design into a cardigan.
This is not as straightforward as it sounds. The owls pullover was designed to be a tightly-fitting garment, with negative ease and back shaping (which would sit rather oddly as a cardigan). The pullover is worked in the round (while a cardigan is generally worked back and forth) and this has implications for the way the owl cables are charted and rendered. Additionally, the owl cables are not centred around a front opening (as they would need to be to accommodate the button bands).
So I have designed the Owligan.
This is a very straightforward pattern, knit up in super-bulky yarn at 2.5 sts to the inch. The pattern is ideal for a beginner knitter, and comes with a number of different options to accommodate different skills and requirements. The sleeves can be knit flat, or in the round; the owl cables can be worked from a chart or from written instructions; and the body can be worked to two different lengths. The short length is shown above (worked in New Lanark Chunky with the yarn held double) and the longer length is shown below (worked in TOFT Ulysses chunky, which really is a super super bulky yarn!).
Unlike the owls pullover, the Owligan is designed to be worn with quite a bit of positive ease. I’m wearing both the long and short versions of the garment with 6 ins positive ease in these photographs. The pattern is graded in seven sizes, to fit bust measurements of 30 to 55 ins.
The two yarns I’ve used for these samples are very different. TOFT Ulysses chunky is a smooth, worsted spun yarn which is soft both to knit and wear. It is a beautiful, special and very luxurious yarn – and its price reflects this. New Lanark chunky is a woollen spun yarn with a much more rustic feel. While it is certainly not as soft to knit as the TOFT, the yarn relaxes, expands and blooms considerably after washing (so be sure to always wash your swatch!). Its a great everyday yarn that’s very reasonably priced, and knits up into a wonderfully woolly and robust garment.
If you have previously purchased the owls or owlet patterns, the Owligan pattern can be yours for half price. Simply put the Owligan in your Ravelry basket, then enter the code OWL50% (for owls pattern) or OWLET50% (for owlet pattern) and the discount will be applied when you checkout. (Note: if you received either pattern as a gift or freebie, I’m afraid there is no discount as there’s no previous purchase). But if you have previously purchased one of the aforementioned patterns, however long ago that was, the discount will be applied, and the Owligan will be half price.
The Owligan is not only a super-speedy knit, but is also wonderfully wearable – particularly in the current weather! Mel and I have become a little obsessed with knitting Owligan samples – so you might see another couple, worked up in different yarns, popping up here over the next few weeks. . .
Thanks so much for your comments on the previous post, which mean an awful lot to me. I’ve a wee bit more to say about my recovery, and will do so in the next post.
Skein Queen has also been very busy preparing yarn bundles for these mittens. The yarn – Voluptuous Skinny – is a lovely plump, woolly 4 ply. It is spun up by John Arbon, and composed of 80% Exmoor Blue and 20% organic merino. The yarn is just ideal for a pair of colourwork mittens – the stranding creates a fabric that’s dense and warm, soft and springy. The pattern includes instructions for two sizes of mitten, small and large, and each Skein Queen yarn bundle will include more than enough yarn to knit the largest size.
I’ve also put together a time-limited promotion for those who want to make Jazz Hands to match their Epistropheids. If you purchase both patterns on Ravelry, using the code HEIDANDHANDS you will receive 40% off your total – that’s both patterns for £3.95. Please be sure to add both patterns to your Ravelry cart (using the ‘add to cart’ option) before entering the code or the system won’t apply the discount. Previous Epistropheid purchases should also count toward the promotion – if you encounter any problems please do let me know.
I’ve been enjoying the snowy weather and have been wearing my Jazz Hands pretty constantly since the cold snap started – my hands have been toasty warm!
We have had quite a bit of weather here recently – mittens are definitely required! So I whipped up a pair.
You may recall, in the comments on this post, Trish suggested that a pair of mittens in the Epistrophy pattern would suit the name Jazz Hands. Well, Trish, your wish is my command. Here they are.
The yarn I’ve used is wonderful stuff — Skein Queen Voluptuous “skinny”. This heavy 4 ply is a blend of 80% Exmoor blueface with 20% organic merino and it is just beautiful – plump and squishy, soft and woolly.
I absolutely love Debbie’s dyeing technique and feel for colour. The semi-solid shades she produces work really well for colourwork, adding just a wee bit of depth and variation to the pattern. The shades I’ve used here are “powder” and “granite”, and the Skein Queen is currently dyeing up a batch of these shades to make available in kit form next week.
Will I ever tire of these interlocking diamonds? They really are such fun to knit. Just like the hat (of which I’ve now made four), I found making these mittens really addictive, and knitted a few in different gauges while I fine-tuned the pattern. The mittens I’m wearing here were worked at 30 sts to 4 ins, but, after experimenting with needle sizes, I found that the yarn blooms up so nicely that its great to work at larger gauges also. Working the pattern at 26 sts to 4 ins produces a mitten which comfortably fits a man’s hand.
As you see, the mittens feature an inset-thumb, around which the Epistrophy diamonds sit very neatly. I confess I’m really happy with the balance and symmetry of this design – sometimes a stitch pattern just works for the mitten’s small canvas. Because of the strong diagonals, I found I could design the shaping to follow the motifs in an exact and pleasing way. So satisfying!
If you would like to whip up your own pair of Jazz Hands, Skein Queen and I will be simultaneously releasing the pattern, and hand-dyed Voluptuous yarn kits next Thursday, January 22nd . So watch out for the pattern appearing on Ravelry, and keep a close eye on Debbie’s shop for the yarn update!
The day before Christmas eve a wonderful package arrived from Sweden. This was inside. Kerstin Olsson – who you may remember I had the pleasure of meeting a few months ago, and about whose important work for Bohus Stickning I devoted a chapter to in my Yokes book – had done me the honour of knitting me a scarf!
Oh my! And this was not just any scarf! For Kerstin had knitted this lovely gift from original Bohus Stickning yarns — the same yarns with which she knit and designed during the company’s heyday in the 1960s.
An awful lot of work went into developing and maintaining the production of Bohus Stickning yarns such as EJA (Emma Jacobsson Angora). The dye palette was rich and varied, and, to meet Emma’s exacting standards, the spinning, blending, and handle of the fibres had to always be of the very highest quality.
When I visited Göteborg, Kerstin showed me some Bohus Stickning shade cards. Handling them, I was astounded both by the quality of the yarns and the sheer richness of the palette: the vast number of shades the company produced was really pretty astounding. These yarns and palette were Kerstin’s raw materials. It was their quality and variety that allowed her to experiment so successfully with colour, shade, and texture, and to create her wonderful yoke designs, alive with hazy, shimmering hues.
Kerstin’s aesthetic is clearly evident in this fabulous scarf! When I took it out of the bag Tom immediately exclaimed how wonderful the colours were – and they really are.
It is just so lovely. I am pretty overwhelmed.
Kerstin also kindly included some wee twists of yarn in her package – for repairs.
As a knitter, I’m often prompted to reflect on the meanings invested in acts of making, giving and receiving, and as a researcher, I often find that objects that interest me carry a sort of numinous significance . . . .Well, as both knitter and researcher, I can tell you that this beautiful gift, from an incredible designer and artist, created with these wonderful fifty year-old yarns really means an awful lot to me. I was deeply moved when I opened the package and am so very, very happy with my scarf!
Thankyou so much for this precious gift, Kerstin. I feel very honoured indeed to receive it, and shall always treasure it.
So, as December draws to a close, farewell, 2014, and thankyou all for reading! Its been lovely to share this year with you!
Clearly it is hat season in this house, as I appear to be unable to stop churning out Epistropheids. Tom requested one, and chose the yarn – Rowan Felted Tweed in Phantom and Clay.
Both these shades feature pleasing sky-blue tweedy flecks, and speak to each other rather nicely. Tom wanted a predominantly brown hat so I reversed the chart colourway from dark to light. I was at first concerned that the Felted Tweed feels slightly less plump at this gauge than the TOFT dk I’d used for my original, but it knit up evenly, and the fabric bloomed really nicely after blocking. It has made a lovely hat.
So now we both have matching heids. Do we look insanely his and hers? WHO CARES.
Hope you are all enjoying the season! I have to say that it feels rather nice to slow down a little . . . which for me seems to involve less time sitting at the computer, and more time sitting in front of old films knitting like mad!
I’ve found this hat to be quite an addictive knit — I’ve already worked up two samples, and I’m now knitting up a third, as Tom has requested one for himself (don’t worry, I’m making his in a different yarn so we won’t be insanely matchy-matchy)
The pattern is written for three sizes of hat — I’m wearing the slouchy large size in these photographs — so whatever the size of your heid you should be able to make a hat to fit it.
And one last bit of housekeeping: I am going to do a final run with my mail crates to the sorting office tomorrow morning (Saturday 20th), so if you would like a copy of Yokes posting off before Christmas, now’s the moment to order!
Dear amazing, wonderful knitters! I’ve had such fun reading through your comments on the last post!
As many of you guessed, the name I’d had in mind for this hat was, of course EPISTROPHEID but there were so many fabulous, interesting suggestions I have been sorely tempted to change it . . .
For example, “Pulsatorius” suggested the name Gåsöga – a word of which I’d never heard, but which, when I googled it revealed itself to be an incredible Swedish woven rug or blanket, highly reminiscent of the stitch pattern used on this hat. (Google it and see). (I came up with the Epistrophy pattern on my own, but there’s nothing at all original about it, as its pretty much what logically happens when you try to create interlocking diamonds over a repeat of 15 stitches.)
Alixpearson suggested Pibroch (a Highland theme and variations), and among the many of you who deftly explored the realms of literary rhetoric, Pomona was the first to suggest Apostrophe or Anaphora. . . .genius!
I was also excited by your many insightful jazz references! Janine was the first of many of you to suggest Fly Right (a name under which Epistrophy was also known when recorded in 1942 by Cootie Williams) and among many of my other favourite Monk tunes that you suggested, Helen Y chose Little Rootie Tootie (a tune with a special significance for me, because of the proximity of my childhood home to the transpennine railway line)
Your comments also gave me a good laugh! The thought that I might, at some point call a design Jazz Wazz as Stacy suggested, or create matching mittens or gloves named Jazz Hands (thanks, Trish) has been the source of much amusement. Monkheid (first suggested by Louise) also caused some hilarity. Who knows, these patterns may well appear at some point. . .
Anyway, in short, I’ve had a blast reading through your suggestions and, as promised, there are prizes!
MrsPotiron wins a Betty Mouat Cowl kit for being the first to correctly guess Epistropheid
Pulsatorius wins a Snawheid kit for pointing me in the direction of Gåsöga
AlixPearson wins a Sheep Carousel kit for Pibroch
Pomona, Trish, Helen Y, Stacy, Janine, and Louise each win a KDD tea towel for their great suggestions . . .
and there are spot prizes for Jo (Epitome), Inge (tracks in the snow), Marilyn (Bebop top), and Pamknits (Crepuscule with Brucie) – who each win a free pattern of their choice from my Ravelry store.
Could those of you to whom I need to post a parcel please email me at infoATkatedaviesdesigns.com, letting me know your shipping addresses? (I’ll email those of you who have won a pattern with a download code shortly).
Anyway, as these pictures might suggest, my new Epistropheid is seeing some wear. I’ve made this sample rather large and slouchy – which is just how I like it – but I’m currently knitting up a slightly smaller second sample (for those with smaller heids, or who would prefer a neater fit). When that’s done (hopefully this evening) I’ll write up the pattern – so those of you who would like your own Epistropheid will also be able to knit one very soon!
Thanks for playing along, everyone! x