Dear amazing, wonderful knitters! I’ve had such fun reading through your comments on the last post!
As many of you guessed, the name I’d had in mind for this hat was, of course EPISTROPHEID but there were so many fabulous, interesting suggestions I have been sorely tempted to change it . . .
For example, “Pulsatorius” suggested the name Gåsöga – a word of which I’d never heard, but which, when I googled it revealed itself to be an incredible Swedish woven rug or blanket, highly reminiscent of the stitch pattern used on this hat. (Google it and see). (I came up with the Epistrophy pattern on my own, but there’s nothing at all original about it, as its pretty much what logically happens when you try to create interlocking diamonds over a repeat of 15 stitches.)
Alixpearson suggested Pibroch (a Highland theme and variations), and among the many of you who deftly explored the realms of literary rhetoric, Pomona was the first to suggest Apostrophe or Anaphora. . . .genius!
I was also excited by your many insightful jazz references! Janine was the first of many of you to suggest Fly Right (a name under which Epistrophy was also known when recorded in 1942 by Cootie Williams) and among many of my other favourite Monk tunes that you suggested, Helen Y chose Little Rootie Tootie (a tune with a special significance for me, because of the proximity of my childhood home to the transpennine railway line)
Your comments also gave me a good laugh! The thought that I might, at some point call a design Jazz Wazz as Stacy suggested, or create matching mittens or gloves named Jazz Hands (thanks, Trish) has been the source of much amusement. Monkheid (first suggested by Louise) also caused some hilarity. Who knows, these patterns may well appear at some point. . .
Anyway, in short, I’ve had a blast reading through your suggestions and, as promised, there are prizes!
MrsPotiron wins a Betty Mouat Cowl kit for being the first to correctly guess Epistropheid
Pulsatorius wins a Snawheid kit for pointing me in the direction of Gåsöga
AlixPearson wins a Sheep Carousel kit for Pibroch
Pomona, Trish, Helen Y, Stacy, Janine, and Louise each win a KDD tea towel for their great suggestions . . .
and there are spot prizes for Jo (Epitome), Inge (tracks in the snow), Marilyn (Bebop top), and Pamknits (Crepuscule with Brucie) – who each win a free pattern of their choice from my Ravelry store.
Could those of you to whom I need to post a parcel please email me at infoATkatedaviesdesigns.com, letting me know your shipping addresses? (I’ll email those of you who have won a pattern with a download code shortly).
Anyway, as these pictures might suggest, my new Epistropheid is seeing some wear. I’ve made this sample rather large and slouchy – which is just how I like it – but I’m currently knitting up a slightly smaller second sample (for those with smaller heids, or who would prefer a neater fit). When that’s done (hopefully this evening) I’ll write up the pattern – so those of you who would like your own Epistropheid will also be able to knit one very soon!
Thanks for playing along, everyone! x
Good morning! This week I have news other than logistical matters from Yokes dispatch central (though I’ll return to these things in a moment). For example, we had our first snowfall . . .
I do find that snow affords me a welcome shift in perspective on the winter months. The world of relentless grey becomes pleasingly crisp and white, and there is nothing like a good walk in the snow on a still, bright December day. Bruce is also very fond of snow
. . so we have both enjoyed some decent walks this week. I’m also pleased to say that I finally found the time (and wherewithal) to do some knitting. I confess my knitting mojo has been somewhat lacking of late. This is always a slightly troubling state of affairs, but in this case I’ve just put it down to being very busy and rather tired – a little too tired for getting excited about new projects or thinking about charts and stitch counts. But this week I took a wee break, and over a couple of afternoons I charted and knitted up another lopi yoke (so speedy! so warm! I’ll show you soon!) Then yesterday I whipped up a hat that’s been brewing in the back of my mind for some time.
This hat is based on my Epistrophy yoke, and the first person to correctly guess the name I’ve given to it will win a special prize! (I’m serious! Leave a comment! Give it a try!).
Like the yoke, the hat is knitted in Toft Ulysses DK, and, as pleased as I am with the crown design, I suspect one of these fluffy alpaca pompoms will be being popped on top once its finished drying on the hat block.
As these hastily snapped images of my workstation might suggest, it has been another busy week here at the logistics coalface, and I’ve spent the majority of my time processing and packing and shipping orders. In all respects, I’ve found the response to Yokes pretty overwhelming. It has made me really happy to hear of the book appearing in different locations around the world, and especially to read everyone’s kind reactions, which makes all the hard work this year worthwhile. Thankyou, everyone!
But soon I am going to take a proper break, so if you would like me to post you a copy of Yokes, please place your order in the shop before December 19th. Orders placed after this date will be shipped on January 6th.
The rest of today involves eating a pheasant and decorating a tree. I hope you are all enjoying your weekend too.
Don’t forget! Leave a comment and guess the name of my hat!
ETA – comments are now closed
The YOKE I am currently designing is made with this – Toft Ulysses DK – a deliciously smooshy, cushy, springy, woolly sort of wool. It is my new favourite yarn: a completely British wool, grown and spun here from a blend of several different breed-specific fibres (including BFL and Shetland). I could knit with it all day (indeed I’ve spent the past two days doing just that).
This is the silver DK and I’m enjoying working with it tremendously.
As well as supplying me with this superlatively tasty yarn for my current YOKE, my friends at Toft have also given me two pairs of giveaway tickets for an exclusive party they are holding on July 25th to celebrate the launch of Edward’s Menagerie – the inventive collection of crocheted beasties that Toft’s creative director, Kerry, designed for her son, Edward.
The party will be held at Toft’s picturesque HQ in Dunchurch, Warwickshire. As well as the human attendees, 200 alpacas will be there, and the party will also involve crochet workshops, Toft goody bags, and cake as well as general book-launching celebrations.
The animals in Edward’s menagerie have great names — Douglas (the highland cow), Siegfried (the monkey), Angharad (the donkey) – so all you have to do to win a pair of tickets to the party is to tell me your favourite ever animal name. (Living with a cat named Jesus, I’m looking forward to your responses). Please bear in mind that the prize is for the party tickets only – you’ll have to get yourself over to Dunchurch on July 25th – and this may exclude many overseas readers from entering. I’ll announce the winners here on Thursday, 10th July.
Can one develop an addiction to pompom makers? If so, I fear I am sorely afflicted, for I am now the proud owner of several different varieties in a range of sizes — the most recent of which is pictured above. These tiny and rather pleasing contraptions will enable me to turn out miniature fluffy balls under an inch in diameter — which will hopefully add the final ridiculously festive finishing touches to these mitts . . .
. . . and these mittens
(I do apologise for the quality of these photographs — daylight is a rare commodity in Scotland right now.)
In other news:
If you would like to WIN a signed copy of Colours of Shetland, you have two opportunities to do so: first in the Visit Shetland December Newsletter, and second in the latest issue of Let’s Knit, in which I and the book both feature.
Finally, Tom is about to celebrate an (ahem) significant birthday, so we are taking a few days off and going somewhere really exciting to celebrate over a dram or two as old as he is.
HAPPY BIRTHDAY, TOM!
I confess that I am really looking forward to a wee break as I have been rather occupied of late, as you can imagine. For us, Tom’s birthday signals the start of the festive season, which round here is a time of maximum relaxation / pie eating / film watching / long winter walk-taking. Bring it on!
When we return I will have some Snawpaws to show you. . .
Until then x
Comments on Jean’s interview have now been closed, and we have a randomly selected winner in the giveaway to receive a copy of Sweet Shawlettes. Gabriela (whose favourite garden flower is the peony) it is YOU! Congratulations! I have sent you an email so that you can let me know your contact details.
Susan Crawford, author of the wonderful Stitch in Time volumes, and contributor to issue 2 of Textisles, is doing some more research on knitted swimsuits. If you have – or have worn, or have a picture of a family member wearing – a knitted swimsuit, she would really like to hear from you. Please get in touch with Susan directly – you’ll find her contact details at the foot of this post.
Today I’m really pleased to bring you an interview with Jean Moss, as part of the blog tour for her new book, Sweet Shawlettes, which has just been published. With twenty-five different designs, this book is a veritable showcase of cowls, shawls, capelets and collars. Small projects provide an ideal canvas for exploring new techniques, and one of the most distinctive things about Jean’s book is the sheer range of knitterly styles and techniques it covers. So if you have never tried entrelac, intarsia, or shadow knitting, there’s a nifty project or two in here for you.
Perhaps contrarily, given its impressive technical range, my favourite design in Sweet Shawlettes is possibly the simplest – Enigma – a dramatic and contemporary two-piece shawl. Knit in plain stockinette with two sweet-shop shades of kidsilk haze, it has a truly elegant simplicity.
Working with Rowan, and Jamieson and Smith, as well as international brands like Ralph Lauren and Benetton, Jean has been at the forefront of British knitwear design for more than three decades. Based in the UK, but traveling all over the world, the trajectory of her career really interests me, so I began by asking her how it all started.
Could you tell us a little about how your design career began?
Originally I learned to knit before I went to school because I wanted to please my beloved grandmother who spent hours teaching me. A fallow period ensued but my interest was rekindled in my teens when I started to make my own clothes. It was the swinging sixties and I loved what I was seeing on the street and in magazines, but had no way of achieving anything similar other than to pick up my needles again. From then on I was hooked. It never occurred to me that I’d ever be able to make a living out of it, especially as I had no formal training in design, but after getting requests for sweaters I’d made for the kids, I decided that it might be a way of making some extra cash from home. No-one was more surprised than I was to find that very quickly I was presenting my designs to luminaries such as Ralph Lauren and Calvin Klein and they were placing orders! It was a meteoric learning curve!
. . .and how you began to create designs for hand knitting?
When I started, I was living in an ramshackle old farmhouse with my husband, two toddlers and a menagerie of pets miles away from anywhere. My husband was commuting daily to teach miles away, so we were wracking our brains to find another way of making a living, which involved less travelling. So… we bought a knitting machine! My designs sold well so we quickly had to get more people to knit them. At a London show an agent for Ralph Lauren asked me to do some handknits for him. I jumped at the chance although at the time I had no production capacity and handknitting was definitely not my forte, but within six months we had 2000 knitters in the UK producing handknits for the Polo/Ralph Lauren label as well as selling my own collections to boutiques in the US and Europe. Obviously, as I had no design training whatsoever, there’s a certain amount of luck involved, but this was the eighties when the ethos was go for it and anything can happen.
From your perspective, how has British knitting and knitwear design changed since the 1980s?
The internet has changed everything. When I started I saw myself as a fashion-led knit designer, producing fair isle, aran, lace and intarsia sweaters which were difficult to knit, had limited production and therefore had a very high price point. However, the cult of the knitted stitch has superseded the fashion angle now. Knitters are into techniques, relaxing with their knitting and sharing the fruits of their labours with their friends and the web is a fantastic tool for facilitating this. If you look at the most successful books on knitting right now they are all about techniques – there are far fewer book which are purely collections of designs. This is fine with me as I’ve always been interested in both – I love fashion, but I’m also a technique junkie, so I try to make each design a mini tutorial for at least one technique.
How would you describe your style? Do you feel this has evolved over time?
My signature style has always been a combination of colour, texture and form. However, I’m interested in exploring as much of the art of knitting as I can and I like to think my designs are ever-evolving as I learn more and more. I keep my camera to hand and I take many pictures of interesting objects, people and places – looking back over them often sows the seeds of new patterns. Fashion is essentially ephemeral, and what gives me a buzz is creating timeless pieces that transcend fashion, which hopefully will look just as good in twenty years time as the day they were knit.
You have a great knack of selecting exactly the right yarn for a design. What’s most important to you in a yarn?
I’m flattered that you think that as I do try hard to find beautiful yarns for my designs. I make a list of the yarn requirements for each project and then try to find one that fits the bill. Having said that, it’s become impossible to be au fait with every yarn on the market at any given time, so I always start with yarn companies I love like Rowan, Sublime or Jamieson & Smith. You can never know how a yarn will behave until you’ve swatched it, some projects demand drape, others need stitch definition and every pattern is different, but for me it’s important for the yarn to feel good in the fingers whilst being knit.
I love the glamour of the 1920s and 30s. Poiret’s orientalism, Fortuny’s sumptuous pleats and the fashion drawings of Erte and Iribe are all hugely inspiring. Women were trying out all sorts of new ideas as they threw off the shackles of the Victorian era and fashion design was innovative, outrageous and chic – all the things I love. It’s hard to name one fashion icon, but having done a whole book on Audrey Hepburn, I must say the research was a delight. She was the perfect muse, as Ralph Lauren famously remarked: “Who wouldn’t want to drop everything and design for Audrey Hepburn?”
Definitely Morocco, but I love the theatricality of Venice too. I’ve been hosting knitting holidays with my partner Philip Mercer for ten years now, mainly in the UK, but our trip to Morocco last year was one of my favourites – design inspiration wherever you look.
Your love of plants and flowers has inspired many of the designs in “Sweet Shawlettes”, and your garden is clearly very important to you. Do you see any similarity between the processes involved in knitwear design and gardening?
Yes I do find many similarities. At the start of each book I have to have a couple of weeks of cooking time, when I do nothing but displacement activities like gardening, cooking, playing guitar or going on long walks. This gives me a chance to mull over and crystallise ideas and it’s amazing how the seeds of designs are often planted years before and given the right conditions they spring forth – much like growing plants.
Now, a giveaway! Courtesy of the nice people at Taunton Press, I have a copy of Sweet Shawlettes set aside for one of you. Following Jean’s remarks about gardening and knitting, to enter, please leave a comment on this post telling us the name of your favourite garden flower. We’ll (randomly) select the winner on March 21st, the date of the final stop on Jean’s world blog tour.
Good Luck, Everyone!
If you’d like to follow the Sweet Shawlettes world blog tour, here is the full list of destinations:
Wed 7 Mar Jen Arnall-Culliford Knitwear Jen Arnall-Culliford
Thurs 8 Mar Yours Truly
Fri 9 Mar Rock and Purl Ruth Garcia-Alcantud
Sat 10 Mar Woolly Wormhead Woolly Wormhead
Mon 12 Mar Yarnscape Alison Barker
Tues 13 Mar Confessions of a Yarn Addict Anniken Allis
Wed 14 Mar Joli House Amanda France
Thurs 15 Mar This is Knit Lisa & Siobhan
Fri 16 Mar The Knitting Institute Katy Evans
Sat 17 Mar Life’n Knitting Carla Meijsen
Sun 18 Mar ConnieLene Connie Lene
Mon 19 Mar Just Call Me Ruby Susan Crawford
Tues 20 Mar Tiny Owl Knits Stephanie Dosen
Wed 21 Mar Ulla-Bella Anita Tørmoen
We have a randomly-selected winner in the Valentines giveaway! Congratulations to Claire P, whose theme tune of choice was from Jam & Jerusalem. There were so many theme tunes that I had forgotten about (Laverne & Shirley, Rentaghost) and many that I didn’t know at all (Hinnigan’s Island; Mr Rogers). Tom and I really enjoyed reading through your choices — so many gems in there (Triangle! and Charlotte’s remarks about Triangle!), but no one suggested the theme from Taxi, which, on reflection, is probably my favourite of all. (As a child, I loved Taxi and Cagney and Lacey, and found New York City in general Very Intriguing).
My other exciting news is that I am off to Shetland for a few days! See you soon!