transititions

cowslip

Winter really felt interminable this year. It seemed that, for weeks I passed the same corner every day looking in vain for the snowdrops that always appear there, heralding Spring. “I don’t know what I’d do if it wasn’t for those” said one of my neighbour-buddies, indicating a single patch of struggling crocuses that provided the only cheer on a particularly grey and grim sub-zero March morning. When we visited New Lanark on April 2nd, there were no wild flowers blooming at all. The only things of colour we saw were the yellow eyelids of the nesting peregrines and the bright red toadstools that Tom struggled through some spiky undergrowth to photograph. After all of this weird nothing, May’s rapid explosion has felt particularly welcome. I began to see primroses and cowslips poking through the brown and grey . . . then the grass pinged green . . . and then there was speedwell, and bluebells, honesty, and dove’s foot geraniums . . .

speedwell

bluebell

honesty

dovesfoot

. . . and then the blossom started to appear . . .

blossom

. . .and now the ordinary urban paths that I walk on every day appear like fairy glades.

glade

. . . or rather, large black dog-filled glades.

In many respects, these past few months have felt a little odd. Tom has been living during the week in Glasgow, working really hard at his new job. Meanwhile, I have been managing various health issues with greater or lesser degrees of success, and trying very hard to work around and within my limits. These few months have made Tom and I both realise how reliant we are on each other, and how completely rubbish we are at being apart. The upshot is that we have decided to move from Edinburgh to an as-yet-unknown location close to the Highlands but within commuting distance of Glasgow. The prospect of a garden in which to grow veggies, a few chickens and another dog (or two) is very exciting to me, and I am hopeful of finding a small house or steading out West where this dream can become a reality. Less exciting is the work we have to do to our current abode prior to selling it. Apparently, property purchasers require chilly Edinburgh flats to have more sources of warmth than that which is provided by our solitary living-room wood burner . . . thus, with the help of David and Stevie and Trevor we will be installing shiny new-fangled central heating and making various other “improvements.”

Why am I telling you all this? Well, because life is inevitably going to be disrupted over the next few months. A kind neighbour is allowing me and Bruce to hang out in her flat while Stevie is up here ripping up the floorboards, but I have now lost access to my computer and work-pod during the day, so am less accessible by email. I also have to consider the implications of moving my business as well as my home. We have just a handful of boxes of Colours of Shetland left in my warehouse in Leith. Once these are sold, I will have to allow the book to go out of print until I can make new warehousing arrangements at our new as-yet-unknown locale. So, if you were considering purchasing a print copy of Colours of Shetland, my advice is to do it now, as there are not many left (the digital edition will, of course, continue to be available). I’m still taking wholesale orders (with the number of copies-per-shop limited), but for both retail and trade orders, once the books are gone, they are gone.

So, if anyone is looking to buy a flat in North Edinburgh’s leafiest and friendliest neighbourhood, then be sure to keep your eyes peeled later this Summer. And equally if anyone has suggestions for places to which Tom and I should consider moving please do feel free to make them — we are now conducting recces!

Ursulas

I always find it exciting when different iterations of my patterns are posted on Ravelry. This is particularly the case when knitters’ colour choices and personal modifications really transform the look of a design. Some amazing Ursulas have begun to appear which, because they have a completely different feel to my original, and also because they just look bloody lovely, I wanted to share with you.

Ursula was inspired by the shades of Shetland’s summer wildflowers, and the original had a pale, botanical palette.

ursula9

But Sarah knitted her Ursula with natural and sky-blue shades set against a background of midnight blue — creating a garment with a totally different feel.

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Sarah says: “I am completely in love with my Ursula. This was an awesome project from the very beginning, using one of my favourite yarns from JC Rennie and my own handspun. . .

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“Apart from completely changing the colours, I didn’t make any changes to the pattern, but accidentally knit the body at the narrowest point of my waist a little tighter, which gave me perfect and unintentional subtle waist shaping. It was the first time I’d tried a crochet steek (using the directions in Colours of Shetland) and it was joyous! I haven’t done a steek any other way since. I knit Ursula mostly on holiday, so its a lovely reminder of my trip too. I’m sure I’ll make it again in similar colours to Kate’s original, as the fit is absolutely perfect and it was so fun to make.”

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I particularly love the fact that three different breeds of British sheep are represented in this garment (Sarah spun the fawn shade from Masham fibre, the brown from Manx Loaghtan and the vivid blue from Jamieson and Smith Shetland tops). Her Ursula is ravelled here.

Next up is Georgie, who chose to knit her Ursula with a single contrast shade, rather than three.

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Georgie says: “My modifications were mainly due to yarn constraints, as I’ve been having to be thrifty, unravelling cardigans I no longer wear. I had already knit a cardigan in the three shades I used for Ursula (Marie Wallin’s Mika) a lovely cardigan I never really wore, mainly due to the style, I prefer a more classic shape for cardigans. Anyway, Mika was first in line when I was scouting around the house for suitable yarn for Ursula. . .

georgie3
. . . It’s knit in a combination of Jamieson’s Shetland Spindrift (the green), then Blacker Yarns Alpaca/Shetland in cream for the body and grey for the sleeves. I could see while knitting that I wouldn’t have enough of the main colour to finish the cardigan as written, so I shortened the body so the ribbing started on my waist. The sleeves were also shortened due to my yarn levels, plus, I thought they would work best with the length of cardigan.”

georgie2

I was blown away when I saw Georgie’s Ursula how her use of a single contrast shade totally transformed the feel and look of the stitch pattern: in her cardigan, the zigzagging tri-coloured stripes of my original have become an allover with its own integral structure and continuity. I also really like how the cropped body and three quarter sleeves lend the garment an incredibly neat, vintage look. Georgie’s Ursula is ravelled here.

Finally, here is Rebecca’s Ursula, knit in four lovely shades of Jamieson and Smith jumper weight: 203, 118, fc14 and fc41.

rebecca1

Of her modifications, Rebecca says: “I lengthened the body by simply adding an extra peerie repeat in green before beginning the armhole steeks. I also made the sleeves snugger by decreasing very quickly and then lengthened them a bit to come further over the hands.”

rebecca3

Rebecca’s contrast shades really pop out against the grey background, and this garment feels to me like a refreshing change of key. I love the way that the colours she chose speak to one another, and find the juxtaposition of the complex plum tones of fc14 against the solid Spring green of 118 particularly pleasing. Rebecca’s Ursula is ravelled here.

rebecca2

Ursula is one of my favourite designs in Colours of Shetland, and it makes me so happy to see knitters making it, transforming it, and enjoying wearing their own beautiful hand-knitted cardigans!

Digital Colours of Shetland!

p3

Today I’m very excited to announce the release of the digital edition of Colours of Shetland!
This means that those of you who wished to purchase a digital-only copy can now do so here, and that all of you who have already purchased the print edition can now use the ‘unique download code‘ in your copy to access your complementary digital edition of the book.

Here’s how to redeem your code.

First, open up the book. On the inside cover, you’ll find a sticker with your unique download code printed on it.

insidecover

Next, follow this link to the book’s Ravelry page. Click on the ‘buy it now’ button (highlighted below).

sourcepage

You are then directed to check out. Click on the ‘enter coupon code’ button (highlighted below).

purchasepage

Enter your code into the box, then click the “Apply” button.

codeshot

You’ll then see the checkout screen, letting you know that you’ve not been charged for the download. Click on the “Checkout Now” button.

checkoutshout

Finally, you’ll receive a receipt, and links to seven PDF files which contain the full content of Colours of Shetland. If you are a Ravelry member, these files are now stored in your library, and you’ll be automatically notified of any updates to future editions of the book. You can also download the files individually for reading on a device or computer.

receipt

A final few points:
1) Happily, we haven’t found many errata or typos (there’s a full list here), but those that there are have all been corrected in the digital edition.
2) Otherwise, the content of the print and digital editions is exactly the same (that is, all patterns, tutorials, essays and photographs are included identically in the digital edition)
3) The patterns will not be released as individual digital downloads.
4) The book has a single retail price of £14.99: that is, the digital-only version of the book costs exactly the same as the print+digital version — so, if you purchase the print edition, then, like the happy Shetland sheep on page four of the book, you’re laughing!

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If you have any other questions about this process, please feel free to add a comment to this post, and I’ll do my best to answer!

monday stuff

pompommakers

Can one develop an addiction to pompom makers? If so, I fear I am sorely afflicted, for I am now the proud owner of several different varieties in a range of sizes — the most recent of which is pictured above. These tiny and rather pleasing contraptions will enable me to turn out miniature fluffy balls under an inch in diameter — which will hopefully add the final ridiculously festive finishing touches to these mitts . . .

mitts

. . . and these mittens

mittens

(I do apologise for the quality of these photographs — daylight is a rare commodity in Scotland right now.)

In other news:
If you would like to WIN a signed copy of Colours of Shetland, you have two opportunities to do so: first in the Visit Shetland December Newsletter, and second in the latest issue of Let’s Knit, in which I and the book both feature.

letsknit

Finally, Tom is about to celebrate an (ahem) significant birthday, so we are taking a few days off and going somewhere really exciting to celebrate over a dram or two as old as he is.

HAPPY BIRTHDAY, TOM!

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I confess that I am really looking forward to a wee break as I have been rather occupied of late, as you can imagine. For us, Tom’s birthday signals the start of the festive season, which round here is a time of maximum relaxation / pie eating / film watching / long winter walk-taking. Bring it on!

When we return I will have some Snawpaws to show you. . .

Until then x

numbers

numbers_lg
(image via Morgan Morgan)

Number of different countries to which Colours of Shetland has now shipped: 35
Number of US States to which Colours of Shetland has now shipped: 50*
Number of pompoms I need to make for my new design samples: 8**
Number of stitches I failed to increase when working from my own pattern: 20***

*I was very excited when we received orders from Hawaii and West Virginia, bringing the US State total to a nice round 50!

**I am almost as excited about my new design – Snawpaws – mitts and mittens to match Snawheid. (The pattern is written and we will hopefully be taking some photos this weekend. More soon!)

***I am somewhat less excited about having to knit yet another Snawheid (in a different colourway, to match one of the new pairs of Snawpaws). The other day I began to whip it up, and thought it was looking a bit wee, and only when I reached the crown shaping I did I realise my fatal error . . . this evening I shall rip back, and start again!

Industry

one

Here’s what Mel, Gordon, Tom and I have been doing for the past couple of days. . .

two

. . .when I tell you that this pretty pile is about 10 boxes shy of the total amount of orders we have processed just this weekend, you will have some sense of the scale of operations here at Colours of Shetland dispatch central. When the postie comes to collect them tomorrow, these books will be winging their way to Hawaii and Tokyo, Hamburg and Goteborg, Baton Rouge and Vancouver.

three

But worry not, everyone — I’m getting lots of sleep, and next week I’m definitely returning to some knitting.

just popping in . . .

. . . to say that today is the last day to order a copy of Colours of Shetland if you would like it signed by me. I’m very sorry about this, but signing large volumes of books is proving to be extremely physically demanding as well as time consuming, and I’m afraid it can’t go on indefinitely or I will exhaust myself! No prizes for guessing the number of books I’ve already signed, but it is (ahem) a LOT. Hope you understand!

thankyou!

It is fair to say that I’m feeling a little overwhelmed and humbled this morning — thankyou so much, all of you, for purchasing the book and supporting my endeavours. It is incredibly exciting to see the orders coming in from all over the world, and Gordon and I are now working really hard to ensure that you all receive your packages very soon. I have to mention, though, that the volume of orders really is extremely high, and it may take us some time to work our way through everything. We have a good system in place, but please do be patient, as I imagine the orders we currently have will take several days to process. All overseas orders are being sent by airmail, so could I respectfully ask customers outwith the EU not to purchase more than four books at once as this takes the package over the airmail weight limit. Some of you placing large multiple orders may have been overcharged for shipping, and where this is the case I will refund you via paypal after your package has shipped. There are plenty of books in stock, so please don’t worry (as some of you have apparently been doing) about us running out over the next few days. If you place an order this week we will endeavour to ensure that, wherever you are, you have it in time for the holidays.

Well, I’d better get off to the post office with the next trolley-load of parcels. See you later xxx

we made a book!

spines

Well folks, let me tell you that this is all rather exciting. I am very happy to report that a muthaload of books arrived yesterday, and that they really do look bloody amazing.

Today we’ve been getting a head start preparing for orders. Here I am in Colours of Shetland dispatch central, aka, Mel and Gordon’s dining room . . .

signing

. . . I’m signing every copy . . .

signed

. . . so that they are ready for Gordon to post out to you on Monday.

packing

With massive thanks to Mel, Jen, Nic, Tom, Gordon, and (of course) Bruce I can now say:

We made a book!

wemadeabook

The bookshop will go live at 8am on Monday morning (UK time).

puffins!

puffinpattern

So, I suspect it won’t be hard for you to guess what provided the inspiration for the last pair of designs in the collection . . .

Puffin-Portrait
©John Moncrief Photography

These two designs really were an awful lot of fun to work on . . .

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mantle1

For what is more fun than a puffin?

puffin-in-flight
©John Moncrief Photography

Um, garments inspired by puffins, that’s what!

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mantle3

Here we have a puffin sweater . . .

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. . . and a puffin mantle . . .

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Both of which feature the same six-shade garter stitch chevron pattern. . .

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. . . which echoes the colours and texture of the beaks of Shetland’s most beloved summer visitor.

puffinthrift
©John Moncrief Photography

In Colours of Shetland you’ll find several puffin-related treats . . .

puffin7
©John Moncrief Photography

Including talented Shetland photographer, John Moncrieff’s, fabulous puffin portraits . . .

puffin-sandeels
©John Moncrief Photography

. . . and an intriguing, puffin-related MAP that has been specifically designed to accompany my essay in the book. All will be revealed as you turn the pages . . .

puffin5

These designs are simple and fun and I love, love, love both of them. Pardon my hubris, but I have to mention that when I’ve worn the Puffin Sweater in Shetland, it is the design that has drawn most comment, from airport security staff who complemented me on my ‘blendin’, to local knitters and designers whose positive remarks really mean the world to me.

puffin4

The mantle incorporates further decreases into the pattern to create a neatly-fitting and dramatic-looking wrap.

mantle4

We shot the mantle photographs around Lerwick’s lodberries on a quiet, grey sort of day.

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But I love the way the bright colours of the chevron pattern stand out against the stone.

mantle2

Yarn and sizing information for the Puffin Sweater and Puffin Mantle can now be found on Ravelry.

puffpatt3

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