One of the many things I admire about Portuguese culture is the way that pattern and design are part of everyday life.
There are beautiful tiles everywhere. Most interiors are tiled, and almost every public space is enriched by a particular experience of the decorative.
Even Brutalism approaches the ornamental.
Wandering around Funchal – Madeira’s ‘capital’ – is a peculiarly graphic experience. By simply walking one is taking a sort of masterclass in pattern.
The narrative of one’s footsteps, of one’s movement through the street, is told out in tiles.
These distinctive mosaic pavements are everywhere in Funchal, from the town’s alleys . . .
. . . to its squares.
The patterned pavements seem to invite the pedestrian to the act of leisurely promenading, strolling, window-shopping.
The aesthetic is all pervasive – here is the entrance to a supermarket . . .
. . .and here is the exterior of a parking garage.
These pavement mosaics are made up of alternating pieces of basalt and limestone. Over the years, Funchal’s designers have clearly enjoyed playing with the high-contrast potential of these materials.
For someone pattern-obsessed like me, the streets of Funchal are exciting and inspiring spaces. For example, I love the way that these right angles . .
The particular design repeat used on this mosaic also appears in one of my Latvian weaving books, and another book I have about Estonian mitten patterns. Such cross-cultural aesthetic connections really intrigue me, and are one of the reasons that I am so looking forward to Rosa Pomar’s forthcoming book. Just pottering about the streets of Funchal made me reflect on the fundamental nature of the repeat and on how the same basic principles tend to govern the surface decoration of very different media (textiles, pavements etc). The OXO, for example is a ubiquitous feature of Spanish and Portuguese tiling, Baltic weaving, as well as Fair-Isle knitting patterns. I particularly liked this playful example.
Anyway, as you might imagine, the streets of Funchal have inspired me to produce a design of my own. I began work on it while we were in Madeira and finished knitting it last night. Here is a wee taster.
No, it is not a hat, but something altogether different. More photographs and a pattern this weekend!